July 2019, Cirque du Soleil raised the curtain on its most recent permanent show in China: X the Land of Fantasy. Produced in partnership with the Chinese Group Hangzhou Xintiandi (XTD) which is the only Cirque theater in Asia.
The article elaborates on how Deed 3D supports Cirque Du Soleil with props and functional parts.
Cirque du Soleil The Land of Fantasy offers an astonishing staging combining heart-pumping acrobatics, state-of-the-art visual and sound effects, and high-tech scenic and theatrical elements. Divided into two sets of intimate revolving bleachers, the theater offers an unprecedented immersive experience to 1,500 spectators who benefit from a unique perspective of 360 degrees on the massive 100-meters wide mainstage and the central structure consisted of nine panels of 121m2 each that shape-shift as the story unfolds.
420m² of ‘forest’ is the highlight of the stage, While in the performance, the acrobats will move back and forth in the scenery, request the forest and limbs model anti-fatigue and lightweight, which will be easy for the stage staff to switch the sceneries. Therefore 3D props have to be bear the impact and rub constantly, and high tensile and flexible properties are requested for the material which was the big challenge Canada team faced in the stage setting.
Deed3d partnering with Cirque Du Soleil to the solutions
At the first stage, the team took one of the longest tree limbs (3.7m) as the standard of the quality test. After comparing among SLA, SLS, and FDM 3d printing technology, Deed3d(Stratasys FDM) is proud to be chosen as the only 3d printed parts suppliers who delivery high-quality 3d printed parts in short lead-time.
(Marshall Spratt, the assistant technical director of Cirque Du Soleil is visiting Deed3d company)
The tree limbs were printed in FDM ABS-M30 plastic material which is strong and cost-effective. Deed3d chose PC-ABS plastic material to produce the middle connector parts which needs to hold much pressure. PC-ABS is combining the advantage of ABS and PC, strong and durable. Nylon 12 material was used for parts require flexibility. All 3d printed parts pass quality control.
In order to ensure that the shows can be staged on time, Deed3d mobilized 5 sets of Stratasys Fortus 900mc and more than 20 sets of 450mc and 380mc. Deed3d delivery hundreds of sets of tree limbs within 30 days not only the 3d printing process but also finish post-process.
Dragon and Phoenix token – East and West culture
(ABS material with glossy paint)
(Made of TPU material, good in flexibility and elongation)
Dragon and Phoenix wand
(ABS-M30 plastic material with golden paint)
(High light-transmitting parts, clear and strong)
(Nylon 12CF material, strong and lightweight)
After six months of rehearsal and performance, the 3d printed parts are still intact.
Mr. Hou the CEO of Deed3d Technology emphasizes, “as a leading 3D printing service, we equipped with over 50 sets of Stratasys printers, to realize the small batch production of rapid prototyping. And one of the biggest benefits of Stratasys printer is it can easily switch different materials.”
In today’s 3D Printing News Briefs, euspen plans to hold a Special Interest Group meeting in September centered around additive manufacturing, and an adjunct professor completed a comparison between a small SLS 3D printer and a large one. Moving on to interesting 3D printing projects, an artist teamed up with Mimaki to use full-color 3D printing to make a stage prop, a reddit user created an anti-cat button for an Xbox system, and an imgur user created a modular 3D printed fashion system.
euspen to Hold Special Interest Group Meeting on AM
The European Society for Precision Engineering and Nanotechnology (euspen) will be addressing the factors which are influencing an uptake of the use of additive manufacturing as a production technology at a Special Interest Group (SIG) meeting in September. The meeting, which will be co-hosted by the American Society of Precision Engineering (ASPE), will analyze the barriers to, and the opportunities for, the adoption of AM in production. It will be held from September 16-18 at the École Centrale de Nantes in France.
At the AM SIG meeting, issues that are, as euspen put it, “critical to the viability of AM as a production technology,” will be addressed. The co-chairs of the meeting are Professor Richard Leach from the University of Nottingham and Dr. John Taylor from the University of North Carolina at Charlotte. Local hosts and the organizing committee include Professor Alain Bernard from Centrale Nantes, Dr. David Bue Pedersen from the Technical University of Denmark, Professor Leach, and Dr. Taylor.
Comparison of Small and Large SLS 3D Printers
3D printers are often used in educational settings these days. Piotr Dudek, an adjunct professor at the AGH University of Science and Technology in Poland, runs a 3D printing lab at the school that both students and researchers frequent. While many technologies are used in the lab, SLS is the one that most interests Dudek, who decided to compare a big SLS system from EOS with the smaller Sinterit Lisa.
“We are using the big EOS SLS 3D printer for a long time and we wanted to compare it with Sinterit Lisa, check the possibilities of it. In SLS technology every detail matters. The temperature of the printing chamber, powder distribution system, heating or laser moving mechanism are very precise and important features. We wanted to test if Sinterit’s device is the valuable solution,” Dudek stated.
Larger 3D printers obviously have higher print volumes, but the down sides include difficult calibration, specialized training, and higher costs. In addition, it’s easy to mess up the calibration of a large 3D printer during transport. The Lisa 3D printer uses a gantry system, which comes pre-calibrated to save time, and it also uses less material, which means less money. The desktop printer is also much more student-friendly, making it the better choice for 3D printing labs like the one Professor Dudek runs.
Full-Color 3D Printed Stage Prop
A few months ago, 3DPrint.com heard from 3D printing specialist and Post Digital Artist Taketo Kobayashi, from the Ultra Modelers community, about an art exhibit in Japan that he helped organize which featured colorful, 3D printed works created on the Mimaki 3DUJ-553 full-color 3D printer. Recently, he reached out to us again with news of his latest Mimaki Engineering collaboration – a stage prop for the Japanese artist Saori Kanda, who performed with techno/trance band Shpongle at the Red Rocks Amphitheater in Colorado.
“It is a artwork,” Kobayashi told 3DPrint.com, “but also a utilization of full color 3D printing to entertainment field.”
The “Shpongle Mask,” which took 28 hours to print and mixed in Asian details, was worn onstage by Kanda as she performed her painting live with the band.
3D Printed Anti-Cat Xbox Button
reddit user Mbiggz was getting sick of their cat turning off the touch-sensitive button on the Xbox console while it was in use, which I can understand, having two cats of my own. So Mbiggz came up with the perfect solution – a 3D printed cover for the button. The design can be found on the maker’s Tinkercad account, as Mbiggz originally made the design for a Digital 3D class.
“Adhesive goes on the back part (it is labeled in the print). I’m a newcomer in terms of this so it’s not perfect,” Mbiggz wrote on Tinkercad. “Also, the door doesn’t open all the way, so you can fix it so that it does if you want to (even though it doesn’t really matter, there’s not really a need for it to open it all the way).”
3D Printed Modular Fashion System
hunter62610, a young imgur user, designed and 3D printed a Lego-like modular fabric system, which was featured in his school’s fashion show. He made two dresses that are made with a 3D printed prototype fabric pattern called Escher, which was designed to be “put together and taken apart” hundreds of times. It took him just two weeks to make the material, which the two young ladies who modeled the dresses said was fairly comfortable.
“The idea of the system is that theoretically, one could buy a fashion catalog filled with designs, and say 5000 links. Once could make every clothing item in the catalog, based on there needs. Perhaps that’s a pipe dream, but it’s a fun idea,” hunters62610 wrote.
“The Escher system is quite versatile. Each link acts like a free flowing Equilateral triangle, and has a male and female ball joint on each side. Every individual link is theoretically compatible with every other link. Special links are stored in the middle of this pouch that are really 3 merged links with a screw hole. If needed, these links can be used as elastic tie down points or buttons, if you screw in the buttons i made.”
A Makerbot Replicator Plus was used to print the fabric links in unique, small panels.
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We’re starting off today’s 3D Printing News Briefs with a product launch announcement – 3YOURMIND launched the full version of its Agile MES software software this week at AMUG 2019. Moving on, Sintratec will present its latest SLS 3D printer at RAPID + TCT next month in Detroit, Tiamet3D has joined Ultimaker’s material alliance program, and Sciaky entered into an agreement with KTM Consultants. Xometry just announced some important certifications, and nScrypt is 3D printing titanium parts. Moving on to the world of art and theatre, the Zurich Opera House is 3D printing props, and artist Andrea Salvatori worked with WASP to create a 3D printed art collection.
3YOURMIND Launched Agile Manufacturing Execution System (MES) Software
After spending five years providing order management systems to scale for some of the industry’s AM leaders, 3YOURMIND has finally moved its software solutions to a production environment with the launch of its Agile Manufacturing Execution System (MES) earlier this week at AMUG 2019. The software uses smart part prioritization, rapid scheduling, order tracking, and custom AM workflow creation to improve machine utilization and make production more efficient, and an Early Access Program (EAP) allowed the company to receive direct feedback on its Agile MES software from representatives at companies like EOS and Voestalpine. The next step will be working to finalize machine connectivity.
“For Agile Manufacturing, the Agile MES will need to both GET and PUSH data from all major AM machines and post-processing systems. We are already integrating the data from several vendors into our software and expect to support all major machines,” explained 3YOURMIND’s CEO Stephan Kühr. “Receiving and processing machine data allows us to provide the documentation that is needed for quality assurance and to increase the repeatability of additive manufacturing. Pushing data directly to machines will be the key to automating production.”
Sintratec Showcasing New SLS 3D Printer at RAPID + TCT
A few months ago, Swiss SLS 3D printer manufacturer Sintratec introduced its scalable, modular Sintratec S2. Now, the company will be presenting the printer in the US for the first time next month at RAPID + TCT in Detroit, which will also be Sintratec’s first time attending the massive event. What makes the Sintratec S2 stand out is its closed-loop workflow, as the complete system covers every process with its three modules: the Laser Sintering Station (LSS), the Material Core Unit (MCU), and the Material Handling Station (MHS). The 3D printer offers quick material changes, a 4K camera for print monitoring, improved ergonomics, and effective heat distribution through its cylindrical printing area and ring lamps.
“The Sintratec S2 will boost the design of applications and gives the user the opportunity to set foot in small series production as well. And that for an unusually attractive price-performance ratio,” said Sintratec CEO Dominik Solenicki.
“With the Sintratec S2 solution we will be opening new opportunities for companies of any size.”
The price for the Sintratec S2 starts at $39,900, and you can see it for yourself at Sintratec’s booth 1753 at RAPID + TCT from May 20-23.
Tiamet 3D Joins Ultimaker’s Material Alliance Program
Reid Larson, the Director and Co-Founder of Tiamet 3D, told us about some of the highlighted specs of its ULTRA Diamond material, including no additional nozzle wear, 6300 mpa stiffness, low moisture absorption and friction, improved thermal conductivity, and twice “the temperature resistance of normal PLA, Annealed goes to 125C HDT.” You can purchase one kg of ULTRA Diamond filament for €59.
Sciaky Increasing Sales Efforts Through New Agreement
In an effort to increase the sales efforts of its Electron Beam Additive Manufacturing (EBAM) solutions in Australia, the Middle East, and New Zealand, Sciaky, Inc. has entered into an agreement with KTM Consultants, founded by metallurgist Trent Mackenzie in 2015. In terms of sheer work envelope, Sciaky’s massive EBAM systems are the industry’s most widely scalable metal 3D printing solution, able to produce parts ranging from 8 inches to 19 feet at gross deposition rates of up to 25 lbs of metal an hour. Additionally, its Interlayer Real-time Imaging and Sensing System (IRISS) is the metal 3D printing market’s only real-time adaptive control system capable of sensing and digitally self-adjusting its deposition.
“I was immediately drawn to Sciaky’s EBAM technology because of its unique and robust capabilities. Industrial manufacturers of large metal parts need to explore the significant advantages that technologies like EBAM offer. It is truly a game-changer,” said Mackenzie.
Xometry Announces New Industry Certifications
Digital manufacturing marketplace Xometry announced that it has just received ISO 9001:2015 and AS9100D certifications – some of the most rigorous, widely-recognized quality management designations in the industry. ISO 9001 helps organizations meet the needs and expectations of their customers in terms of quality management, while AS9100 meets customer demands in the exacting aerospace and defense industries. The company went through a major audit as part of the process, and its achievement definitely reflects how committed Xometry is to providing quality.
“We are thrilled to receive this designation. Our team members have a passion for providing great customer service while following the disciplines that give our customers peace of mind regarding on-time delivery, quality, and continuous improvement. It is yet another step towards achieving industry “best in class” status and being able to meet the expanded needs of our customers,” stated Xometry COO Peter Goguen.
nScrypt Develops Proprietary Method for 3D Printing Titanium
nScrypt 3D printed titanium gear, dogbone, and block
Florida manufacturer nScrypt, which develops high-precision Micro-Dispensing and Direct Digital Manufacturing equipment and solutions, is now focusing on repeatable 3D printing of metals for the medical, defense, and aerospace industries. The company has created a proprietary method for 3D printing titanium parts, which tests have shown display densities comparable to wrought parts. This method could easily work with other metals as well, such as copper, Inconel, and stainless steel, and nScrypt’s Factory in a Tool (FiT) systems can finish or polish areas with high tolerance features using its integrated precision nMill milling head. nScrypt’s Brandon Dickerson told us that the company expects to release more details on this later in 2019.
“The parts were printed with our SmartPump Micro-Dispensing tool head, which runs on any of our systems,” Dickerson told 3DPrint.com. “The parts shown in the photos were printed on our DDM (Direct Digital Manufacturing) system, also known as our Factory in a Tool (FiT) system, which can run 5 tool heads at the same time, including our Micro-Dispensing, Material Extrusion, micro-milling, and pick-and-place tool heads. The parts were sintered after the build and the current densities are in the high 90% range. We expect our system to appeal to customers who want to do Direct Digital Manufacturing and need strong metal parts, but cannot build them with a powder bed system (for example, if the geometry would trap powder inside) or prefer not to use a powder bed system (for example, if they want a cleaner system).”
Zurich Opera House 3D Printing Props with German RepRap
Finished tutu for “The Nutcracker”, which was produced with the help of the x400 3D printer
Switzerland’s largest cultural institution, the Zurich Opera House, puts on over 300 performances a year, but the behind-the-scenes magic happens in the studios and workshops, where the props and costumes are made. The opera house uses the x400 3D printer from German RepRap, with assistance from Swiss reseller KVT- Fastening, to support its creative work by fabricating props and molds. This affords the institution more creativity and flexibility, as they can design objects to their exacting needs in 3D modeling programs, which also helps save on time and money. The opera house currently uses PLA, which is easy to handle, offers a variety of colors, and is flame retardant – very important in a theatrical setting.
“Often, the wishes and ideas of costume and stage designers are very diverse and sometimes extraordinary. It often happens that props are not available in the way designers have it in their minds. This is where the 3D printer is perfect for,” said Andreas Gatzka, director of theater sculpture at the Zurich Opera House.
“There are a lot of great benefits. Special wishes of stage and costume designers can be realized quickly as well as a short-term change of the objects, for example larger, smaller, longer, shorter, or whatever is needed.”
3D Printed Art Collection
Artist Andrea Salvatori 3D printed the eye-catching pieces for his new collection, titled Ikebana Rock’n’Roll, using the Delta WASP 40100 Clay 3D printer – designed by WASP to be used by ceramic and clay artists. The collection just opened on stage at THE POOL NYC in Milan last week, and will be available to view until May 31st. With these 3D printed vases, Salvatori wanted to use “a miscellany of ceramic insertions” to mess with the high quality shapes 3D printing can achieve by adding asymmetry.
“The process of depositing the material and setting the spheres is a central theme in the Ikebana Rock’n’Roll collection, to the point of convincing Salvatori to name the works “Composition 40100”, as if they originated from a musical dialogue of the most varied tones. The artist upsets the algorithm reiterated slavishly by the machine with imperfect musical accents, the result from time to time of spontaneous actions and reasoned processes,” WASP wrote in a blog post.
“The ikebanes, proposed by Andrea Salvatori in the exhibition, transcend the experimental limits of an abstract investigation, representing a concrete territory in which 3D printing and ceramic art co-exist synergistically. The Master challenges the confrontation with the public, becoming also in this sector, precursor of a new genre in which WASP feels itself fully represented.”
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