Anouk Wipprecht’s 3D-Printed Proximity Dresses Are Perfect for Social Distancing

If you don’t remember the stunning and technical work from Anouk Wipprecht—the Dutch fashion design working on “rethinking fashion in the age of digitalization” by combining engineering, fashion, robotics, science, and interaction/user experience in an emerging field known as FashionTech—let me refresh your memory. Noting that fashion lacks microcontrollers—something I never would have thought about—Wipprecht is an amazingly unique designer, who wants her clothing to, according to her website, “facilitate and augment the interactions we have with ourselves and our surroundings.”

“In a future where electronics are predicted to be embedded in everyday objects, – what kind of clothes will we wear? Will future techno fashion be purely aesthetic – or will it expand our awareness, acting like an intelligent second skin? Will we become super sensory, physically aware of data flows, communicating our internal states through the garments we wear? And, most pertinently perhaps, how will we socialize in our world when we are supervised by technology?”

Anouk Wipprecht’s Smoke Dress

Back in 2014, Wipprecht launched a campaign to create the first crowdsourced 3D-printed dress, and followed this up with her Synapse Dress, partnering with Materialise, Niccolo Casas, and Intel to create a wearable that leverages the wearer’s own electrical currents for a fully immersive experience. The designer later combined 3D printing with virtual reality to create a collection of dresses for Audi, and worked with model and musician Viktoria Modesta to fabricate 3D-printed prosthetics for musical performance.

Now, the high-tech futurist designer is back with two new 3D-printed wearables that could be very useful in this time of social distancing, due to the continuing COVID-19 crisis: the Proximity Dresses, Robotic Personal Space Defenders.

“Extending my research into proxemics and the body, I have fabricated two new dresses that create physical barriers when a person is detected in the immediate surroundings of the wearer,” Wipprecht said. “These twin dresses respond based on proximity and thermal sensors and indicates strangers within the intimate, personal, social and public space around the wearer.”

As with Wipprecht’s Smoke Dress and 3D-printed, robotic Spider Dress, which literally moves itself into an attack position if the embedded proximity biosensors detect that the wearer is uncomfortable, the design for these new dresses is based on Edward T. Hall’s Proxemics Theory. She explains that the theory defines “four spaces around the body,” each of which has its “own characteristic distances.”

Anouk Wipprecht’s 3D-Printed Spider Dress

“Whereas Hall had to measure the space between people using a wooden stick, I have been working since 2007 to translate these concepts into the digital domain, in order to measure the spaces between people up to a range of 25 feet,” she explained.

The Proximity Dresses use robotic, nylon 3D-printed hip mechanisms to extend when necessary. Additionally, they feature a transparent collar, 3D printed from clear resin, with some fancy sensors that offer noise-free distance readings.

Anouk Wipprecht’s Proximity Dress

These sensors use “high-output acoustic power combined with continuously variable gain, real-time background automatic calibration, real-time waveform signature analysis, and noise rejection algorithms. This holds true even in the presence of various acoustic or electrical noise sources, making it suitable for on-body use.”

By using the sensors, Wipprecht’s unique designs can invisibly trace their surroundings. Additionally, since the sensors don’t record any images or video, the dresses are not a threat to privacy, as nearby people remain anonymous.

“The Proximity Dress 2.0 is based on my 2012 prototype of this dress using hip mechanics create distance and a proximity sensor (ultrasonic rangefinder) for VW showcase during IAA, in Germany,” she concludes.

Check out the video below to see Wipprecht discuss her innovative, defensive Proximity Dress with Hyphen-Hub:

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The post Anouk Wipprecht’s 3D-Printed Proximity Dresses Are Perfect for Social Distancing appeared first on 3DPrint.com | The Voice of 3D Printing / Additive Manufacturing.

3D Printing News Briefs: May 30, 2019

In today’s 3D Printing News Briefs, euspen plans to hold a Special Interest Group meeting in September centered around additive manufacturing, and an adjunct professor completed a comparison between a small SLS 3D printer and a large one. Moving on to interesting 3D printing projects, an artist teamed up with Mimaki to use full-color 3D printing to make a stage prop, a reddit user created an anti-cat button for an Xbox system, and an imgur user created a modular 3D printed fashion system.

euspen to Hold Special Interest Group Meeting on AM

The European Society for Precision Engineering and Nanotechnology (euspen) will be addressing the factors which are influencing an uptake of the use of additive manufacturing as a production technology at a Special Interest Group (SIG) meeting in September. The meeting, which will be co-hosted by the American Society of Precision Engineering (ASPE), will analyze the barriers to, and the opportunities for, the adoption of AM in production. It will be held from September 16-18 at the École Centrale de Nantes in France.

At the AM SIG meeting, issues that are, as euspen put it, “critical to the viability of AM as a production technology,” will be addressed. The co-chairs of the meeting are Professor Richard Leach from the University of Nottingham and Dr. John Taylor from the University of North Carolina at Charlotte. Local hosts and the organizing committee include Professor Alain Bernard from Centrale Nantes, Dr. David Bue Pedersen from the Technical University of Denmark, Professor Leach, and Dr. Taylor.

Comparison of Small and Large SLS 3D Printers

3D printers are often used in educational settings these days. Piotr Dudek, an adjunct professor at the AGH University of Science and Technology in Poland, runs a 3D printing lab at the school that both students and researchers frequent. While many technologies are used in the lab, SLS is the one that most interests Dudek, who decided to compare a big SLS system from EOS with the smaller Sinterit Lisa.

We are using the big EOS SLS 3D printer for a long time and we wanted to compare it with Sinterit Lisa, check the possibilities of it. In SLS technology every detail matters. The temperature of the printing chamber, powder distribution system, heating or laser moving mechanism are very precise and important features. We wanted to test if Sinterit’s device is the valuable solution,” Dudek stated.

Larger 3D printers obviously have higher print volumes, but the down sides include difficult calibration, specialized training, and higher costs. In addition, it’s easy to mess up the calibration of a large 3D printer during transport. The Lisa 3D printer uses a gantry system, which comes pre-calibrated to save time, and it also uses less material, which means less money. The desktop printer is also much more student-friendly, making it the better choice for 3D printing labs like the one Professor Dudek runs.

Full-Color 3D Printed Stage Prop

A few months ago, 3DPrint.com heard from 3D printing specialist and Post Digital Artist Taketo Kobayashi, from the Ultra Modelers community, about an art exhibit in Japan that he helped organize which featured colorful, 3D printed works created on the Mimaki 3DUJ-553 full-color 3D printer. Recently, he reached out to us again with news of his latest Mimaki Engineering collaboration – a stage prop for the Japanese artist Saori Kanda, who performed with techno/trance band Shpongle at the Red Rocks Amphitheater in Colorado.

“It is a artwork,” Kobayashi told 3DPrint.com, “but also a utilization of full color 3D printing to entertainment field.”

The “Shpongle Mask,” which took 28 hours to print and mixed in Asian details, was worn onstage by Kanda as she performed her painting live with the band.

3D Printed Anti-Cat Xbox Button

reddit user Mbiggz was getting sick of their cat turning off the touch-sensitive button on the Xbox console while it was in use, which I can understand, having two cats of my own. So Mbiggz came up with the perfect solution – a 3D printed cover for the button. The design can be found on the maker’s Tinkercad account, as Mbiggz originally made the design for a Digital 3D class.

“Adhesive goes on the back part (it is labeled in the print). I’m a newcomer in terms of this so it’s not perfect,” Mbiggz wrote on Tinkercad. “Also, the door doesn’t open all the way, so you can fix it so that it does if you want to (even though it doesn’t really matter, there’s not really a need for it to open it all the way).”

3D Printed Modular Fashion System

hunter62610, a young imgur user, designed and 3D printed a Lego-like modular fabric system, which was featured in his school’s fashion show. He made two dresses that are made with a 3D printed prototype fabric pattern called Escher, which was designed to be “put together and taken apart” hundreds of times. It took him just two weeks to make the material, which the two young ladies who modeled the dresses said was fairly comfortable.

“The idea of the system is that theoretically, one could buy a fashion catalog filled with designs, and say 5000 links. Once could make every clothing item in the catalog, based on there needs. Perhaps that’s a pipe dream, but it’s a fun idea,” hunters62610 wrote.

“The Escher system is quite versatile. Each link acts like a free flowing Equilateral triangle, and has a male and female ball joint on each side. Every individual link is theoretically compatible with every other link. Special links are stored in the middle of this pouch that are really 3 merged links with a screw hole. If needed, these links can be used as elastic tie down points or buttons, if you screw in the buttons i made.”

A Makerbot Replicator Plus was used to print the fabric links in unique, small panels.

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Designer Julia Daviy Introduces Her Digitally Customizable 3D Printed Skirt

3D printing is moving ever closer to gaining a true home in mainstream commercial applications, thanks to the impact the technology is having on consumer fashion products such as jewelry, footwear, and clothing. While 3D printed fashion was still considered to be more of a novelty a few years ago, efforts have been increasing to make it more common – even in the classroom. Additionally, the technology is helping to usher in a more sustainable and eco-friendly way of manufacturing garments…and designer Julia Daviy is helping to lead the charge.

In addition to designing clothes, Daviy is also an ecologist and clean technology industry manager, and uses 3D printing to make cruelty-free, zero-waste clothing. She believes that the technology will change how the world produces clothing, especially when it comes to some of the more problematic issues of garment manufacturing, such as animal exploitation, chemical pollution, energy consumption, and material waste.

“Our goal was never to demonstrate the viability of 3D printed clothing and leave things at that. We’ll have succeeded when beautiful, comfortable, ethically manufactured and environmentally friendly clothes are the standard,” Daviy stated. “The innovations we’ve made on the production and marketing side of the equation are just as important as the technological breakthroughs that have gotten us this far.”

Concerned with the economically and environmentally irresponsible ways most clothes are made, she created an activewear line made with organic fabrics, and went on to study 3D printing at the University of Illinois in an attempt to find a better, “more complete alternative.” Daviy created her first wearable, 3D printed piece in 2017, and continued working to grow her knowledge base. She experimented with multiple 3D printing techniques, like FDM and SLA, and spent time working with manufacturers on various filament specifications.

At New York Fashion Week in September, Daviy released the first 3D printed, functional, women’s fashion collection in the US that uses large-format 3D printing. While I wouldn’t have called most of the pieces in that collection appropriate for everyday use, all of them, like the Pure Nature Suit, definitely looked wearable. But now the pioneering designer has come out with something that I would definitely classify as a functional garment: what she’s calling the first digitally customizable, widely available 3D printed skirt.

The skirt is environmentally friendly, made with ethical manufacturing, and can be custom designed and purchased on Daviy’s website so it fits the size and personality of the customer. The 3D printed, digitally customizable skirt meets, according to the website, “your highest sustainable and technological expectations.”

“This is a truly sustainable, zero-waste skirt that was designed and produced in the USA using groundbreaking technology invented and patented by Julia Daviy. This method allows Daviy to 3D print clothing with less than 1% of waste in the clothing production process,” the website reads.

“The skirt is produced by combining innovative 3D printing practices with fabric linings and luxury trimmings that meet the highest environmental and ethical standards.”

Customers can choose almost everything about the skirt, from its color and style down to the waistline. Then, Daviy and her team create a digital model of the skirt using this information, and fabricate it on a large-scale 3D printer, using Daviy’s patented, zero-waste process, out of recyclable TPE material; the organic, stretchable lining is 5% Lycra and 95% silk.

I went to the website to design my own skirt, which is typically delivered in ten days’ time, though you can choose faster delivery options. The only pattern choice is organic, but there are three styles to choose from: mini, A-line, and pencil. You can select a high or short waist wrap, or none at all, and you can also choose to add pockets (yes, pockets! Pause for a moment of celebration!). Color choices are black, blue, white, nude, and yellow, and the lining can be black, white, or nude.


“You are unique,” the website states. “Wear a garment that reflects your identity.”

The skirt is designed for a slightly loose fit, and should be hand washed separately in cold water and dried flat; it should not be ironed.

Based on looks alone, I would wear multiple versions of this cute skirt anywhere. But, as to be expected with customizable products, the more things you add on, the higher the price tag goes. A mini skirt with no waist wrap and no pockets is already breaking the bank for me at $780, and when I designed an A-line skirt with a short waist wrap and pockets, the price shot up to $1,350. But again, customized garments anywhere don’t come cheap, and at least you can sleep tight knowing that Daviy’s zero-waste pieces are more eco-friendly.

“I started to experiment with 3D printing because I believe that in an age of radical change and global challenges, people need absolutely new clothing. The first stage is to simplify digital customization and 3D printing of flexible and wearable clothing. We’ve accomplished that, and I think that consumers will respond,” Daviy said. “Once we’ve brought this technology into the mainstream, we plan to use 3D printing to make smart clothing that integrates technology even further into the design and function of our collection.”

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[Images: Julia Daviy]

 

Eco-Friendly 3D Printing at the Center of Designer’s Latest Collection

3D printing has done quite a bit for the fashion world, allowing designers to create new geometries and textures that have redefined the runway. The technology also enables designers to create sustainable garments, and that’s a major focus of Ganit Goldstein, a graduate of the Bezalel Academy of Arts and Design. Goldstein recently launched a collection called “Between the Layers,” which started as graduation project. Seven outfits and six pairs of shoes make up the collection, which was made from 3D printed PLA and TPU.

Goldstein aimed to combine traditional techniques with new technologies for the collection.

“My work begins by examining the characteristics of the material, the qualities with which I can work with,” she said. “Working with 3D software gives me the freedom to test which boundaries can be broken. It provides the understanding that the connection to the traditional craft material will create a completely new essence to the original material. For example, the technique of 3D layer printing allows me to re-examine which layers can be added and what new connections I can create.”

Goldstein spent some time in Japan as part of an exchange program at the Tokyo University of the Arts. The country helped to inspire her new collection.

“I was extremely fascinated by the Japanese overall aesthetic and design, their very unique perspective and ways of looking at things,” she said.

She began working with upcycling, shredding second-hand fabrics and industrial textile leftovers and then creating new garments using a Japanese textile technique called IKAT weaving.

“The IKAT weaving technique enables me to make patterns from the dyeing of the strings before the final weaving process,” she said.

When she returned home to Israel, Goldstein developed her own weaving process using a Prusa i3 Mk3 3D printer, combining the printing with hand-woven layers. Sustainability is an important value to her, and she appreciates 3D printing for the environmentally friendly opportunities it opens up.

“The technique of 3D printing in fashion is a great sustainable tool,” she said. “It enables designers to experience wide-ranging creative freedom, whilst giving the ability to exercise complete control over what we print and create. With 3D printing, we are able to choose exactly which materials to print and how much we need, as well as the precise pattern we want to obtain, without incurring unneeded waste, a notion that is both empowering and impactful.”

Goldstein uses many reusable and recycled materials in her work, and would like to work more with recycled plastics in the future.

“Creating designs from recycled plastic is an ever-growing interest of mine and I would like to create a growing number of designs that utilize this material,” she said.

In addition to her own 3D printing and weaving techniques, Goldstein also worked with Stratasys to 3D print a pair of shoes, using a Connex3 color 3D printer. Lately she has been touring the world with her collection of 3D printed clothes and shoes, participating (and winning second place) in “Redress Design Award 2018” in Hong Kong, as well as in the 2018 “Arts of Fashion” Competition at The Asian Art Museum in San Francisco

“Working with the traditional methods, and combining them with new technology is my vision and my inspiration for my future works,” she said.

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Designer Julia Daviy Stuns at New York Fashion Week with Functional 3D Printed Fashion Collection

Parametric Black Ocean Dress

Clothing is one of the many tools with which we use to express ourselves. I am generally a jeans and t-shirt kind of person, but many of my shirts have quotes from books or movies on them, or logos from places I’ve visited; I also still wear many of my shirts from college. Now, I certainly don’t wear t-shirts to special events – I pull out the dresses for those – but I consider casual clothing to be more of my everyday type of outfit, and I bet I’m not the only one. But that’s one of the great things about fashion – if you consider skirts and dresses to be everyday clothes, you’ve got plenty of choices.

Speaking very generally, 3D printed pieces of clothing are not what I usually consider to be everyday wear. I personally find a lot of 3D printed fashion, while very unique and beautiful, too high concept to actually wear out anywhere. However, some 3D printing fashion designers, like Julia Daviy, are working to change this perception.

Daviy, an ecologist and clean technology industry manager, is creating a new kind of biodegradable fashion out of 3D printed plastic. She believes that 3D printing will change the way clothing is produced, and maybe even one day replace traditional textiles altogether. She also believes that the technology can be used to solve worldwide problems such as chemical pollution, animal exploitation, energy consumption, and material waste.

At this month’s prestigious New York Fashion Week (NYFW), Daviy released the first 3D printed fashion collection in the US that not only uses large-format 3D printing, but is also considered to be a functional, wearable, everyday clothing look for women. According to a press release for the Digital Journal, Daviy’s clothing “aims to liberate the creativity of women by using 3D printing technologies to create an entirely new age for the fashion industry.”

“The 2018 NYFW had history written all over it as different fashion brands across the globe took to the runway to show their latest collection. One designer that particularly caught the eyes of fashion lovers across the globe is Julia Daviy,” the Digital Journal release said. “Over the years, the concept of 3D printed pieces has grown in popularity and acceptance with designers using hard materials with ultra-sophisticated designs to create amazing pieces. However, such pieces are usually almost impossible to wear for everyday activities due to the materials used in making them.”



Daviy’s 3D printed Liberation Collection, consisting of bespoke skirts, dresses, and two suits, debuted on September 6th at The Fashion Meet Technology NYFW event. She used both FDM and SLA technology to 3D print her pieces, and combined multiple filaments. Daviy personally designs each piece from scratch, and also completes each stage of production herself.

“Julia Daviy’s works are particularly unique as all looks are completely 3D printed, which is unlike other designers in the industry that print on several parts and require further post-processing to get the final piece,” the Digital Journal press release stated. “This innovation in addition to the use of “wearable” materials that helps to bring 3D printed fashion into the mainstream of everyday clothing are distinguishing factors of the designer’s collection.”

Pink Coral Neon Skirt

I need to stop right here and say, for the record, that while I think Daviy’s 3D printed collection has some stunning pieces in it (her Polka Dot Exoskeleton dress inspired by sea urchins is one of my favorites), I don’t think the vast majority of it could be considered everyday wear. The closest it comes, in my opinion, is with the Lace Mini Skirt and the Pink Coral Neon Skirt, the latter of which used parametric lines and a 3D pattern not dissimilar to snakeskin. But I can’t imagine walking out of my house on some random Wednesday afternoon in the Fragility Dress.

However, with a few exceptions (looking at you, Parametric Skin Suit), I will agree that most of the collection appears to be pretty wearable. Watching some of the videos on Daviy’s website, the clothing all appears to be breathable and easy to move around in, and I would wear that cute Parametric Black Ocean Dress, 3D printed out of biodegradable PLA and flexible TPU, to any fancy evening event. Just hanging out at the mall on the weekend, however – not so much.

However, feel free to take what I’m saying with a grain of salt – this is coming from a person who is currently clad in denim shorts, a black tank top, and fluffy gray slippers, after all.

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Fashion Designer Creates Both Attractive and Wearable 3D Printed Clothing

Lingxiao Luo

Often fashion on the runways looks good but is unwearable in a real-life setting, and that goes double for 3D printed fashion. Much of it is stiff and uncomfortable-looking, but some designers are incorporating the technology in a way that is both attractive and wearable. Lingxiao Luo of the Royal College of Art is one of those designers. Her work combines 3D printing with knitted fabric to create brightly colored, unique garments that feature 3D printed details and unusual seams.

Luo is pursuing a Master’s degree at the Royal College of Art, but she first learned about 3D printing as an undergraduate at the London College of Fashion. The pieces she saw combined 3D printing with mesh fabric, and she began to think about the possibility of knitted fabric combined with 3D printing. She bought her own 3D printer and set about developing her own techniques for melding the two methods of fabrication. She came up with three different techniques, in fact. The first is to use 3D printed patterns to join two different fabrics together, while the second is to print onto loosely knit nature-fiber fabric and felt the fabric afterwards “so that the contraction during the felting process can change the printed patterns and create 3D structure,” she explains. The third technique involves using a flexible filament to print onto tightly knitted elastic fabric and twist the printed patterns into a 3D structure.

“The techniques that I have investigated are unique, and the products made with my techniques have unique aesthetic and texture,” Luo says. “They’re much more playful and structural than traditional knitwear.”

She also says that her designs are “less plastic-like” and “much more wearable” than a lot of other 3D printed fashion, and they can also be easily washed and cared for, as any other clothing. She wants to appeal to consumers with both the aesthetic and user-friendliness of her designs, as well as the customization possibilities.

“With the engineering of knitting and printing, this innovation introduces a zero-waste fabrication to the fashion industry through the creation of customizable products,” she says.

Luo eventually hopes to work with a 3D printer company to develop fashion-specific 3D printers that can print wearable, consumer-friendly clothing. She plans to start her own business, as well.

“Based on this technique and my final collection, I’m planning to build up a business of providing high-end products and services for the designer studios, including technical consultancy, sample making, textile, and product developing,” she says. “My market research shows that the application of 3D printing technology in the fashion industry is developing very quickly, and the design studios I have interviewed showed strong interest in using my technique and products in their collections.”

So look for Luo’s work in the near future; if you’re interested in trying 3D printed clothing, hers is definitely a good place to start, with its wearability and aesthetic appeal. Some 3D printed fashion looks great, but as a gallery piece – Luo’s is well-suited to both the runway and the closet.

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[Source: Design News/Images: Royal College of Art]