2019 3D Printing Industry Awards: Personal 3D printer of the year (FFF) nominations update
3D Printing Industry Review of the Year August 2018
Aleph Objects Works to Drive 3D Printing Growth Through New Executive Appointments
Colorado-based 3D printer designer and manufacturer Aleph Objects, Inc., which is an official Free Software, Libre Innovation, and Open Source Hardware company and responsible for the creation of the award-winning LulzBot brand of 3D printers, has been pretty busy and ambitious over the last couple of years. The company opened a new facility in the spring of 2017, only a month before it also announced the availability of the first ever open source filament for desktop 3D printers.
Last fall, Aleph Objects, which was built on the philosophy of user freedom, partnered with a creative ad agency to launch a new 3D printing brand campaign the same month it introduced ten new hardware and software products. In 2018, the company completed the amazing feat of manufacturing its LulzBot 3D printers live on the floor of CES, and also released its second certified open source 3D printer filament.
The company’s user base has grown to include both professional and enterprise markets, and as the technology continues to become more accessible and sophisticated, this trend will likely continue. As 3D printing, and its market segments, continue expanding, Aleph Objects is prepared, and getting ready for even more growth as a company.
“Additive manufacturing technology just keeps expanding at a mind-blowing rate. The internal re-alignment of the company will ultimately serve to maintain a stronger focus on new product introduction going into this period of massive growth,” said Jeff Moe, the Founder of Aleph Objects.
This week, Aleph Objects announced new roles for two of the top executives in the company in order to continue driving the growth of its LulzBot 3D printers. The president of Aleph Objects, Grant Flaharty, is taking on the additional company role of CEO.
“The changes we are incorporating will drive significant growth as we rapidly expand our products, our reseller network, and our social presence into global markets,” Flaharty said. ” We are anticipating a record-breaking year with a larger percentage of business being received from outside the US. The response rate for LulzBot’s high quality workhorse 3D printers is setting the bar for growth going forward.”
Flaharty has over two decades worth of executive experience, and in the company’s own words, “is uniquely qualified to lead Aleph Objects through this evolving and increasingly demanding market in additive manufacturing technology.”
The other executive change involves Aleph Objects’ COO Steven Abadie, who was also given an expanded role in the company two years ago. Abadie is the company’s longest-tenured employee, having joined in 2011, and will be using all of his 3D printing expertise in his new role as the CTO.
Abadie said, “We are working towards significant leaps in technology and design across our product line. In 2019, we expect to make a strong statement with new product offerings, all with a continued focus on Free Software, Libre Innovation, and Open Source Hardware.”
Abadie will be primarily focusing on driving Aleph Objects’ efforts in developing innovative new products, such as the Aerostruder v2 Micro the company introduced this summer that is able to fabricate tiny 3D printed parts the size of a penny.
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LulzBot releases HS-Series Tool Heads for High-Strength 3D Printing
3D Printing News Briefs: November 3, 2018
In this month’s first edition of 3D Printing News Briefs, we’re starting again with news about formnext, before moving on to other business news, a medical story, and a case study. Mimaki will be bringing over 10 million colors to formnext, and M. Holland has signed a distribution agreement with 3DXTECH. Some exciting medical news out of South Korea – the country’s first chest transplant using 3D printing has been successfully completed. Finally, LulzBot published a case study about its work to help produce a haunting stop-motion animation short film.
Mimaki Showcasing Over 10 Million Colors at formnext
At formnext in Frankfurt later this month, Mimaki will be bringing its advanced, full-color 3D printing technology, under the theme of ‘Shape the Future in Colour.’ Its 3DUJ-553 3D printer, which offers consistent results in over 10 million colors, will be running live during the event so visitors can see the super fine, photorealistic detail it offers. In addition, through a collaborative project with Materialise, Mimaki’s 3D printed models are currently available under the name Multicolor+ through i.materialise. These models, 3D printed in UV-cured photopolymer resins with inkjet printing heads, have a strength that’s higher than other color 3D printing technologies and can be handled directly off the 500 x 500 x 300 mm build plate of the 3DUJ-553.
“Materialise is currently trialling Mimaki’s full-colour 3D printing technology. The material, Multicolor+, allows us to create smooth surfaces with vibrant colours that enhance the value of a finished object. Multicolor+ offers more vivid and intense colours and enables stronger, sturdier materials with a minimum wall thickness of 1mm. It also allows for printing interlocking parts. As a result, Multicolor+ is ideal for printing decorative parts such as figurines, avatars and architectural models,” said Miranda Bastijns, Materialise Director Manufacturing Online.
Come see Mimaki’s full-color 3D printing capabilities for yourself at booth D26 in Hall 3.1 at formnext, November 13-16.
M. Holland Signs New Distribution Agreement
This spring, international thermoplastic resins distributor M. Holland signed its first 3D printing product distribution agreement with Owens Corning to sell the company’s XSTRAND product line. Now, the company has announced that it signed its second distribution agreement, this time with Michigan-based manufacturer and supplier of high-performance 3D printing materials and parts 3DXTECH. This agreement will provide M. Holland’s industrial manufacturing clients with access to a larger team of commercial and technical support resources, in addition to adding over 24 materials, like carbon fiber and fire-retardant materials, to the company’s current 3D printing product portfolio.
“At M. Holland, our mission is to give our industrial clients agnostic advice about how to integrate 3D printing into their operations to create value. The 3DXTECH product line gives us a full portfolio of high quality, engineering-grade materials, which we can marry with objective recommendations about methods and machinery to deliver the optimal solutions to our clients,” said Haleyanne Freedman, M. Holland’s global 3D printing and additive manufacturing engineering specialist.
South Korea Completes First Local Chest Transplant Using 3D Printing
A 55-year-old man, who chooses to remain anonymous, has just received the first chest transplant using 3D printing in the country of South Korea. Following Spain, Italy, the US, Britain, and China, this makes it the sixth nation in the world to complete this amazing medical innovation. The patient had a malignant tumor in his thorax, and while he’d had four other surgeries and anti-cancer drugs in the past, these conventional methods did not ultimately work, and the cancer returned to his body.
“All of a sudden, the patient once again was feeling pain, and the lump on his chest became clearly visible. This meant the cancer had grown resistant,” explained Professor Park Byung-Joon with Chung-Ang University Hospital. ” We felt the new treatment was necessary and so we had to perform surgery urgently.”
He knew that 3D printing could help customize treatments for patients. Together with the rest of his team, Professor Park created a 3D printed breastbone for the patient that would have been nearly impossible to create with other methods of manufacturing. The hope is that this 3D printed chest transplant will help spur additional innovation in South Korea.
To learn more, watch the video below:
LulzBot Helps Produce Stop-Motion Animation
Dale Hayward and Sylvie Trouvé of Montreal-based See Creature Animation, together with the National Film Board of Canada, have been working together for the past three years to produce the short film Bone Mother, a stop-motion animation version of the Slavic folklore tale of the witch Baba Yaga. For the first time, See Creature decided to use 3D printing, and chose the LulzBot Mini as the affordable, reliable machine they needed to create nearly the entire film with 3D printing. Then, the team decided to add three more to the studio, due to how much 3D printing was required – over 1,500 unique faces were needed, and See Creature used woodfill PLA by colorFabb, with a light infill, to make them. Adjustments were also made to reduce print precision, as one character needed plenty of wrinkles.
“Our main character, Baba Yaga is an ancient witch and naturally she should have wrinkles. So instead of sculpting them into the computer model, we found that if we print the face lying down, the layers look like a topographical map and the print naturally accentuated the curves of her face, creating a lot of the wrinkles for us,” Hayward explained. “We loved the look and it fit her character so much that we actually lowered the resolution to get even more stepping.”
“Where technology has forced traditional hand-drawn animation to adapt or fade away, stop-motion has always ridden the tech wave, so much so that there has become a renaissance of stop-motion films over the last decade. This is attributed to technologies like 3D printing…. they have opened the doors to greater creative possibilities at a lower budget.”
Bone Mother, which clocks in at less than nine minutes, recently premiered in Toronto. See it for yourself below:
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