University of California Researchers Explore Acoustophoresis in Regulating Electrical Composites for 3D Printing

Scientists from University of California Santa Barbara have been exploring the use of acoustophoresis in regulating electrical composites in accompaniment with 3D printing in ‘Flexible Composites with Programmed Electrical Anisotropy Using Acoustophoresis.’ This work expands on the current demand in the marketplace for multifunctional 3D printing materials.

Today we see many different types of conductive materials in 3D printing, but as the researchers point out, there are obstacles due to expense and post-processing that consumes too much time. Their goal is to be able to create functional materials that will further applications in robotics, wearables, and thermal management devices.

The scientists delve into the potential of polymer matrix composites, as they offer the suitable levels of stiffness and both electrical and thermal conductivity. Embedded electrical interconnects show great promise, not only in affordability but also time spent in wiring. Field-assisted assembly may be the best route for creating filler particle assemblies before curing in 3D printing. The research team points out that this method allows them to avoid filler particle size limitations, along with:

  • Resolution limitations
  • Compatibility issues with materials
  • Prohibitive complexity
  • Prohibitive cost
  • High production time

Acoustic focusing is an assembly technique using pressure to control and rotate particles in a given field. While it has most recently been used in applications like cell sorting, acoustic focusing can be used in direct ink writing as well as stereolithography for integrating various particle structures into parts that are 3D printed. The team of researchers developed a new way to 3D print with electrical circuits in this study, showing that electrical composites can alternate between conductive and insulating, as well as between isotropic and anisotropic.

“In addition, composites patterned with acoustic focusing require an order of magnitude lower particle concentration to reach the same conductivity of conventional dispersed-fiber composites, which here exceeds 5000 S/m. Finally, we demonstrate that these patterned composites can be used as durable flexible conductors, with constant conductivity over 500 cycles to 0.7 mm bending radius,” said the researchers.

This method relies on pressure fields for controlling particles suspended in 3D printing materials, activated with a piezoelectric actuator. The scientists use a two-component system, made up of carbon fibers or silver-coated glass fibers. Composites were cured but without the presence of acoustic focusing, and with all fibers dispersed.

: A Schematic of acoustic focusing device. B Diagram of forces aligning and pushing fibers to the center of a channel as the result of a standing pressure half-wave. C,D,E Time-lapse of fibers patterned into parallel bundles by acoustic focusing in photopolymer resin, reaching equilibrium positions after 5-6 seconds. F Illustration and micrograph of an unpatterned composite with carbon fibers dispersed in acrylate resin (0.36v% carbon fiber). G Illustration and micrograph of a patterned carbon-fiber in acrylate composite (0.36v% carbon fiber) fabricated with acoustic focusing

“The unfocused composites are insulating at fiber volume fractions φ below 3.3%, resulting in an open-circuit measurement. Above 3.3%, these composites have low conductivity (< 1 S/m), with around 1% of the fibers contributing to the conductive network. This transition from insulating to conductive behavior at φ = 3.3% is termed the percolation threshold φc, given by φc = 1/(π/2a + 2a + 3 + π) = 3.3%, where a = l/d is the aspect ratio of the fibers,” stated the researchers.

Fibers are manipulated into bundles via acoustophoresis before UV curing, with spacing of a half-wavelength of the pressure field.

“With acoustic focusing turned on, the conductivity of the patterned carbon-fiber composites is dramatically higher than the unpatterned composites,” state the researchers. “Below the percolation threshold, where the unpatterned composites are insulating, the composites made with acoustic focusing have high conductivity, with up to 98% of the fibers (by volume) contributing to the conductive network.”

The researchers point out that the conductivity found in the patterned composites is ‘invariant from 1-10 percent,’ and the critical volume friction does not rely on fiber length.

“This tolerance to fiber length and loading changes suggests freedom to orthogonally control other material properties, like stiffness, strength, or thermal conductivity, while maintaining high conductivity,” state the researchers.

They go on to demonstrate how electrical transport anisotropy is manipulated in patterned composites, with conductivity parallel to carbon fibers. The scientists point out that as they modulated bundle spacing, they were able to control bridging behavior, then resulting in control of transport pathway density. Such control of line spacing means that electrical conductivity can be modulated for either anisotropic or isotropic properties, allowed ‘on-the-fly’ in 3D printing.

“This versatile technology could pave the way for printing soft components with integrated electrical interconnects, possibly in addition to other integrated functionalities since the conditions for conductivity are lenient,” conclude the researchers. “Acoustic focusing’s material agnostic nature encourages extension to other applications as well, such as thermal management materials, mass/ion transport materials, electroactive materials, and many others.

Acoustics and 3D printing have accompanied each other before in the technological process from soundwave jewelry to acoustic metamaterials and sound data, and engineers and scientists around the world continue to surprise us with innovative combinations. Find out more about the use of acoustics in programmed electrical anisotropy here.

What do you think of this news? Let us know your thoughts! Join the discussion of this and other 3D printing topics at 3DPrintBoard.com.

Three composites made using the same precursor ink: A An isotropic conductive 2.6% silver-coated glass fiber composite with focused bundle spacing ∼ 200 µm completing a 3 V circuit to illuminate two 100 mA LEDs. Differences in LED brightness are due to tilt of the metallic reflector with respect to the camera. B An anisotropic conductive 2.6% silver-coated fiber composite with bundle spacing
∼ 600 µm completing a 3 V circuit to illuminate only one 100 mA LEDs. C An insulating 2.6% silver-coated glass fiber composite made with acoustic focusing turned off. D Schematic of the circuit in A-C. E Transport anisotropy in 2.6% composites, given as the ratio of conductivity measured in the direction perpendicular to the focused lines to the that measured parallel.

[Source / Images: ‘Flexible Composites with Programmed Electrical Anisotropy Using Acoustophoresis’]

Researchers Examine Potential for Synthetic Biomineralization in 3D Printing Bone Grafts

Researchers from New Zealand and Australia have been looking into using natural elements as inspiration for 3D printing in bone grafts, detailing their findings in ‘Towards the Development of Artificial Bone Grafts: Combining Synthetic Biomineralisation with 3D Printing.’ Authors Mima Kurian, Ross Stevens, and Kathryn McGrath outline techniques centered around nacre (known to most of us as mother-of-pearl). Now known as the McGrath method, the use of synthetic biomineralization allows scientists to 3D print artificial scaffolds with chitosan hydrogel used for ink.

So far, the McGrath method takes place in a 3D printer customized by the research team, showing great potential for use of 3D compartmentalized polymer-mineral composites. Nacre is chosen as a material because of its biological importance overall, which has made it the subject of other studies before. In this case, the researchers are studying the qualities of biomineralizaton in nacre as they create chitosan-calcium carbonate composites that are 3D printed. Nacre’s strength is similar to natural bone, making it a suitable area of study for the researchers as they seek further progress in the realm of artificial bone grafts.

The researchers have developed chitosan-based scaffolds that are 3D printed and mineralized, with the technique they have created allowing for ease in creating the desired shape, size, and connectivity, along with geometry and ‘orientation of the pores.’ The research has also catapulted into further studies related to:

  • Tissue regeneration
  • In vitro organ development
  • Bone fixtures
  • Replacement materials
  • Anatomical models for drug screening

The experimental procedure, from left to right: preparation of the hydrogel printing ink and printing of the scaffold; gelation and neutralisation of the scaffolds; mineralisation.

In this study, the researchers use the McGrath method to create mineral formation in 3D printed scaffolds, with their structural integrity evaluated in examining different concentrations of chitosan hydrogels.

“As the chitosan concentration was increased more continuous strand formation and greater shape retention were observed,” stated the researchers. “If the chitosan concentration was too high, the required pressure to induce flow and achieve an appropriate viscosity was beyond the range available in the printer used here.”

Overall, the research team discovered that such composites are improved by controlling features such as porosity, architecture of scaffolds, polymer density, mineral content and more. They also noted the importance of strength in adhesion of layers:

“The layers of printed hydrogels were laminated to each other; the adhesion is strong enough to avoid layer slippage hence forming a stable 3D structure,” stated the researchers. “Ethanolic sodium hydroxide, used to laminate the printed layers to each other, partially deprotonates the amine groups in the printed hydrogel layers such that printed layers do not flow and adhere to each other with appreciable adhesion.”

On the left are optical images of non-mineralised 3D chitosan hydrogel-based scaffolds in hydrated or dehydrated states. On the right are corresponding electron microscope images. 3D chitosan hydrogel-based scaffold in (a) hydrated; (b) critical point-dried; (c) air-dried; (d) freeze-dried. Scale bar is 1 μm unless otherwise mentioned.

This research project resulted in 3D printed scaffolds that were structurally stable, comprised of macropores, micropores, and nanopores. While varying states of dehydration were explored, both freeze-dried and critical point-dried scaffolds preserved hydrogel porosity as desired, without shrinkage.

“The as-printed chitosan hydrogel-based scaffolds were mineralised via the McGrath method in the presence and absence of PAA as the crystal growth modifier,” concluded the researchers. “The printed macropores and the layer-by-layer build of the 3D chitosan scaffolds increased the extent of mineralisation achieved in the final composite.”

“By using 2.5% w/w PAA and modifying the McGrath mineralisation process to perform the mineralisation when the chitosan hydrogel scaffold is in its hydrated state, pancake-like calcium carbonate formation, which is in intimate association with the hydrogel matrix, as obtained previously on 2D thin films, is replicated with 3D chitosan hydrogel-based scaffolds. However, more research is required to obtain an optimal distribution of this particular morphology throughout the 3D printed scaffold.”

A surprising number of high-tech advances have taken their lead from the inestimable power of nature. Humans are continually fascinated with the most simple to the most complex facets of the outdoors, the animal kingdom, and the many details we encounter when outside in the fresh air or exploring biology and science. In 3D printing, we have followed stories of scientists, designers, and engineers creating everything from liquid crystal polymers to armor inspired by fish scales and customized exobiology shoes based on nature.

What do you think of this news? Let us know your thoughts! Join the discussion of this and other 3D printing topics at 3DPrintBoard.com.

SEM images of 3D chitosan hydrogel-based scaffold mineralised via the McGrath method (a–c) in the absence of polyacrylic acid (PAA), and (d–f) in the presence of 2.5% w/w PAA with respect to the dry weight of the chitosan scaffold used; (e) pancake-like CaCO3 crystallites (f) pancake-like crystallites with globular moieties growing on the surface. Scale bar for images on the left-hand side is 100 μm and for those on the right-hand side is 10 μm.

[Source / Images: ‘Towards the Development of Artificial Bone Grafts: Combining Synthetic Biomineralisation with 3D Printing.’]

Fortify and DSM Royal collaborate to develop industrial materials for 3D printing

Fortify, a Digital Composite Manufacturing (DCM) firm in Boston, and Royal DSM, a Dutch multinational chemical company, have partnered up to develop industrial-grade composite materials for 3D printing end-use parts and structural components. The companies will develop the materials using Fortify’s DCM platform, which is powered by Fluxprint technology where magnets are integrated into DLP […]

The post Fortify and DSM Royal collaborate to develop industrial materials for 3D printing appeared first on 3D Printing.

QT Ultrasound investigates 3D printing as new diagnostic tool for breast cancer

California-headquartered medical imaging company QT Ultrasound has used its detailed pictures of microanatomy to 3D print a model of a woman’s breast tissue. A tangible model of the complex duct system, the model presents a potential avenue for diagnosticians working with breast cancer. “We are on a mission to change the paradigm of breast imaging,” […]

Moon lamp with base #3Dprinting #3DThursday


B4972df8ca82ec1d50742cea37a231bd preview featured

toolmoon shared this project on Thingiverse!


649-1
Every Thursday is #3dthursday here at Adafruit! The DIY 3D printing community has passion and dedication for making solid objects from digital models. Recently, we have noticed electronics projects integrated with 3D printed enclosures, brackets, and sculptures, so each Thursday we celebrate and highlight these bold pioneers!

Have you considered building a 3D project around an Arduino or other microcontroller? How about printing a bracket to mount your Raspberry Pi to the back of your HD monitor? And don’t forget the countless LED projects that are possible when you are modeling your projects in 3D!

Particle Mesh Enclosure #3DThursday #3DPrinting

E044ac9cde2d9b5ea8bc4ce258433cd4 preview featured

Shared by jotabeo on Thingiverse:

An enclosure for the Particle Mesh Argon, Boron and Xenon devices. Includes compartment for the battery and a lid. All three are designed to fit one above the other. Four M3 x 45mm screws, four M3 thin hexagon nuts, four M2 x 16mm screws and four M2 thin hexagon nuts are required.

Download the files and learn more


649-1
Every Thursday is #3dthursday here at Adafruit! The DIY 3D printing community has passion and dedication for making solid objects from digital models. Recently, we have noticed electronics projects integrated with 3D printed enclosures, brackets, and sculptures, so each Thursday we celebrate and highlight these bold pioneers!

Have you considered building a 3D project around an Arduino or other microcontroller? How about printing a bracket to mount your Raspberry Pi to the back of your HD monitor? And don’t forget the countless LED projects that are possible when you are modeling your projects in 3D!

A Look Into Some Movies That Have Used 3D Printed Props

Since the 1990’s 3D technology has gone hand in hand with the film spurned by the with the growth of special effects. CGI has become commonplace in movies and is used to create designs of characters, creatures, objects, explosions, planets, entire universes even. But movies are not just CGI. Props are an important part of filmmaking which help sets and even characters come to life. There is no doubt that the use of 3D printers in the film industry is becoming more promising: producers, filmmakers, propmakers and costume designers are lately utilizing 3D printers to save time and money while creating astonishing effects for us to enjoy.

Mixing real objects, accessories, and costumes with CGI is essential to get optimum results, but it means that studios and investors need more and more money, and making films has become very expensive. 3D printing can in these cases be used both to augment special effects, create inexpensive props, be used for stop motion and generally can be used to save costs.

During the last couple of years 3D printed props, models and costumes made their appearance in movies. One of these movies even won an Oscar last weekend for Best Costume Design while another won an Oscar for best special effects. Here are some of the most interesting uses of 3D printin in the movies:

First Man (2018)

Image provided by BigRep

First Man is a biographical drama film directed by Damien Chazelle and written by Josh Singer. The film is based on the book “First Man: The Life of Neil A. Armstrong” by James R. Hansen. The film follows the years leading up to the Apollo 11 mission to the Moon in 1969, and to bring this to life, 3D printers were used.

First Man’s production designer Nathan Crowley came across a BigRep 3D printer printing a chair while strolling through the Brooklyn Navy Yard during the shoot for The Greatest Showman in the fall of 2016. He did not get to use a 3D printer for said movie, but he was sure he wanted to for his next movie.

Image provided by BigRep

For First Man, Crowley rented two BigRep One 3D printers to create an accurate scale replica of the Apollo 11 capsule and Saturn V rocket, along with other crucial props, in less than six months. Although the crew already had some experience with 3D printing, BigRep One was nothing compared to what they have used before, thus BigRep’s senior 3D printing specialist Michael David helped the crew with the installation and training. You can read more about it here.

 

Black Panther (2018)

Black Panther is a superhero film based on the Marvel Comics character of the same name. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it tells the story about T’Challa who is crowned king of Wakanda following his father’s death, but his sovereignty is challenged by an adversary who plans to abandon the country’s isolationist policies and begin a global revolution. Black Panther has recently won an Oscar for Best Costume Design for Ruth Carter’s amazing work.

Photo: Kwaku Alston

The movie takes place in a technologically advanced environment with several futuristic gadgets, therefore, it was important that costumes reflected that aesthetic. Carter, in charge of the movie’s costume design, created a series of sketches, illustrations, and digital patterns. To bring them to life, Julia Koerner, an inter-disciplinary designer specialized in 3D printed wearables helped Carter. Koerner collaborated with Materialise, a Belgian 3D printing company, on creating a collection of cutting-edge accessories fit for Queen Ramonda played by actress Angela Bassett.

 

Jurassic World (2015)

From the classic Jurassic Park film series, Jurassic World is a science fiction adventure film directed by Colin Trevorrow and written by Derek Connolly. The movie takes place 22 years after the events of Jurassic Park, in the fictional Central American island of Isla Nublar, where a theme park of cloned dinosaurs has operated for nearly a decade.

Jurassic World got closer to reality thanks to 3D printing. The team used 3D scanning and 3D printing to create replicas of prehistoric artifacts by 3D scanning original bones and fossils and to help them create 3D printable models.

Source: 3D World Magazine Issue #182

Thanks to 3D printers, the team had the chance to print dinosaur skeletons. By doing some modification on their 3D files, they were able to create males, females, and adolescents. Additive manufacturing gave them a lot of freedom to adjust the design of dinosaurs to make them look as realistic as possible.

 

Chase Me (2015)

Chase Me is a 3D printed film created by the French digital artist Gilles-Alexandre Deschaud. The short film was entirely made from 3D printed parts. The story begins with a girl playing the ukulele as she walks through a magical forest. As she walks, her shadow evolves into a monster that chases her through the woods. Every frame of the film was first designed by the artist in CG and later processed into 3D prints.

This short animated film took a total of two years to make, ten months of nonstop 3D printing, four months of CG animation, and 2,500 3D printed pieces. The set and characters were printed in 100 micron resolution, and bigger pieces, like the tree in the forest, were printed in 22 individual parts and later assembled.

 

Star Wars: The Force Awakens (2015)

Star Wars: The Force Awakens is a space opera film produced, co-written and directed by J. J. Abrams. The Force Awakens is set 30 years after Return of the Jedi, the film follows Rey, Finn, and Poe Dameron’s search for Luke Skywalker and their fight alongside the Resistance, led by General Leia Organa and veterans of the Rebel Alliance, against Kylo Ren and the First Order, a successor to the Galactic Empire.



A lot of props and costumes have been 3D printed for this Star Wars movie and all of them were created under the supervision of practical special effects and costume design Michael Kaplan. The famous Stormtroopers helmet, large portions of the shiny chrome Stormtrooper armor, Kylo Ren’s red lightsaber, and some parts of C3PO have been manufactured using 3D printers. The main advantage of using 3D printers was that this manufacturing technique allowed the movie to get props quite quickly and with great accuracy.

 

ParaNorman (2012)

ParaNorman is a stop-motion animated comedy horror film produced by Laika and Directed by Sam Fell and Chris Butler. It is the first stop-motion film to use a 3D color printer to create character faces, and only the second to be shot in 3D. The film tells the story about Norman, a young boy who can communicate with ghosts, is given the task of ending a 300 year-old witch’s curse on his Massachusetts town.


The team that worked on this movie wanted to create various facial emotions for the same character. To do this, they used 3D printers to create all  the faces with different facial emotions. Norman was then capable of 1.5 million expressions. For the 27 characters with 3D printed faces, the rapid-prototyping department output 31,000 parts, which they were stored and cataloged in a face library. One 27-second shot required 250 different faces for a single character, so each face was marked by tiny fissures where the components fit together. Later on, a “seam team” removes the fine lines in postproduction.

 

[Sources: ChaseMeFilm, Variety, PopularMechanics]

Lilliput Rubberband Gun (by Parabellum Arms) #3DThursday #3DPrinting

181243cddb1b1641dcc951337c81e3a9 preview featured

Shared by Bengineer on Thingiverse:

This is a 3D printable recreation of Parabellum Arms amazing semi-automatic rubber band gun named Lilliput.

Please check out his youtube video:

It uses 70mm (2 3/4in) rubber bands as ammo.

Download the files and learn more


649-1
Every Thursday is #3dthursday here at Adafruit! The DIY 3D printing community has passion and dedication for making solid objects from digital models. Recently, we have noticed electronics projects integrated with 3D printed enclosures, brackets, and sculptures, so each Thursday we celebrate and highlight these bold pioneers!

Have you considered building a 3D project around an Arduino or other microcontroller? How about printing a bracket to mount your Raspberry Pi to the back of your HD monitor? And don’t forget the countless LED projects that are possible when you are modeling your projects in 3D!

Eye of agamotto #3DThursday #3DPrinting

65e67673065f95b18b043350c79fe26c preview featured

Laci_Legath shared this project on Thingiverse!

Eye of Agamotto inspired by the Dr Strange movie.

See more!


649-1
Every Thursday is #3dthursday here at Adafruit! The DIY 3D printing community has passion and dedication for making solid objects from digital models. Recently, we have noticed electronics projects integrated with 3D printed enclosures, brackets, and sculptures, so each Thursday we celebrate and highlight these bold pioneers!

Have you considered building a 3D project around an Arduino or other microcontroller? How about printing a bracket to mount your Raspberry Pi to the back of your HD monitor? And don’t forget the countless LED projects that are possible when you are modeling your projects in 3D!

SABIC Explores Effects of Autoclave Tooling on Large Format Additive Manufacturing Parts

Headquartered in Riyadh, Saudi Arabi, SABIC is a dynamic company bringing forth innovation in materials and techniques to the additive manufacturing industry. Recently, they produced a case study regarding autoclave tooling, exploring its overall effect on the performance of a 3D printed tool. ‘Autoclave Tooling Using Large Format Additive Manufacturing (LFAM) Technology,’ authored by Walt Thompson, Scott R. Huelskamp, Tim Allessio, and Kim Ly of SABIC’s University of Dayton Research Institute, gives us insight into the use of autoclaves and progressive approaches in tooling.

LFAM occurs via the melting of plastic pellets on a large scale and allows for the use of additional additives from glass to carbon fibers, minerals, and more, offering strength and performance that the SABIC team states cannot be achieved through the use of unfilled resins. In the creation of large parts, strength and cohesion are required to sustain comprehensive structure not only during the time of printing but afterward when the final result may be serving as an important prototype or functional piece.

Large parts can be printed, with all the typical benefits of additive manufacturing and 3D printing, such as production of complex geometries that are made quickly, and affordably. For industries delving into progressive technology in manufacturing, the advantages of 3D printing on any scale are enticing due to the savings in time and money as compared to conventional processes like computer numerical control (CNC) machining; in fact, with LFAM technology, multiple designs and multiple iterations can be made just in the time that it would take to create one metal tool via CNC machining.

Refinement within the autoclave environment has been a major issue, however. The SABIC team points out that a serious obstacle in replacing metal tools with those made by LFAM has been finding a suitable resin/filler system combination. Any material used must not only have good printability but also be able to hold up against temperatures, loads, and size requirements.

“Dimensional stability of the printed tool is critical, as movement of the tool can have a negative effect on final part quality,” states the SABIC team.

Application requirements for this study are as follows:

  • Autoclave cycle ability @ 350°F @ 85 – 90 psi pressure
  • Ability to withstand greater than 10 autoclave cycles and maintain vacuum
  • Maintain dimensional profile tolerances of +/-0.005 inches, over the tooling surface before, during and after autoclaving

Using their expertise in materials, SABIC suggested the use of LNPTM THERMOCOMPTM AM EZ006EXAR1 compound, providing a combination of ULTEMTM resin, a high-temperature material used in aerospace applications. The team used several different tool sizes in experimenting during this study and ultimately, focused on one type of geometry that is often used in military aircraft designs. The tool was then printed at the SABIC Polymer Processing Development Center (PPDC) in Pittsfield, MA, on the BAAM machine, technology we have been following since they used it to develop reinforcements for automobiles previously, a yacht hull and also have used the technology in connection with the development of other new materials.

Four different phases of testing followed. Phase 1 involved 3D scanning of the tool with a Creaform HandySCAN 3D® handheld scanner.

“After scanning, the tool surface was vacuum bagged,” stated the SABIC team in their case study. “Minimal loss of vacuum was visually observed, indicating that the TD Seal HT provided a good sealing surface. The tool was then placed in an oven and heated to 350° F. After soaking for 4 hours, the tool was removed from the oven and the vacuum integrity was checked a second time. Again, no significant vacuum loss was visually detected.”

Tool setup before autoclaving

In Phase 2, the SABIC team tested the tool in autoclave cycling at PPDC.

“During each cycle, a composite layup was placed on the tool and autoclaved to cure the composite. The composite lay-up and autoclave process included two plies of RM 2005 epoxy/carbon prepreg manufactured by Renegade Materials Corporation.”

Five testing cycles were completed in the autoclave, and then the tool was scanned again revealing that 99.7% of the tooling surface was within +/-0.004 inches of the baseline scan conducted after the Phase 1 testing was completed.

In Phase 3, the tool endured further testing in five more autoclave cycles, using the same methods, although pressure was increased to 100 psig.

“In comparison to the baseline scan, the results were similar to those seen after the first five autoclave cycles: 99.7% of the tooling surface was within +/-0.004 inches of the baseline scan,” explained SABIC.

Tooling surface after five cycles.

In Phase 4, the tool went through extreme measures with ten cycles in the autoclave using the same methods as Phase 3. Scanning was performed again afterward, and when compared to the baseline, the researchers saw that 99.7% of the tooling surface was still within +/-0.004 inches of the original baseline scan. In conclusion of this research, the SABIC team stated:

“This study shows that LNP THERMOCOMP AM EZ006EXAR1 compound is a viable feedstock material for composite tooling applications. More broadly, it confirms that LFAM is a viable process for producing autoclave tooling that can withstand at least 20 standard autoclave cycles without introducing dimensional inaccuracies into the part.”

“The team recognizes the need, moving forward, to quantify the actual time and cost savings using LFAM versus incumbent tooling approaches. However, initial estimates show a significant savings in both time and cost. This needs to be validated in future work.”

What do you think of this news? Let us know your thoughts! Join the discussion of this and other 3D printing topics at 3DPrintBoard.com.

Tooling surface after 20 cycles.

[Source / Images: SABIC case study shared with 3DPrint.com]