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Julia Körner’s 3D-Printed Setae Jacket Inspired by Butterfly Wings

The delicate wings of a butterfly have inspired a great deal of 3D-printed innovations, such as stronger structures for electronics and ultra lightweight geometries for better load bending, unique artwork, and even fashion. Pioneering 3D-printed fashion designer, architect, adjunct professor at UCLA, and, most recently, 3D-printed costume designer, Julia Körner has long used the technology in her work. Now, she has turned to 3D printing once again for the design of her eye-catching Setae Jacket, which was, as you may have guessed, inspired by butterfly wings.

“Julia Koerner is an award-winning Austrian designer working at the convergence of architecture, product and fashion design. She is internationally recognised for design innovation in 3D-Printing, Julia’s work stands out at the top of these disciplines,” her website states. “The constantly intriguing aspect of Julia’s work is its embodiment of a beautiful organic aesthetic.”

She was one of 15 designers chosen by non-profit organization Austrianfashion.net to show her work—the 3D printed Setae jacket—at its recent Virtual Design Festival (VDF). The organization is a platform that is focused on promoting contemporary Austrian fashion designers and partnered with VDF to exhibit innovative fashion designs and accessories by designers who were either born, or are currently based, in Austria, and also produce their work locally and sustainably.

Austrianfashion.net said, “[Körner’s] work on the future of 3D, as well as on its current applications, can be seen as revolutionary practice. Strongly believing that the future of fashion is 3D, Körner is making sure she is at the forefront of the revolution.”

Her beautiful, 3D-printed Setae Jacket is part of the 3D printed Chro-Morpho fashion design collection by Stratasys, which we’ve discussed here before, and was also inspired by colorful butterfly wings. The collection is meant to show how technology and textiles can work together, and even create commercially viable pieces of clothing. The jacket was 3D printed out of flexible Vero material on one of the company’s multimaterial printers, either the J750 or the J850, and every bristle resembles setae, which is a stiff structure akin to a hair or a bristle.

“The research explores digital setae pattern design and multi-color 3D printing on fabric, inspired by microscopic butterfly wing patterns. Butterfly wings are made up of membranes which are covered by thousands of colorful scales and hairs, plate-like setae,” Körner’s website states.

She used photographs of Madagascan Sunset Butterfly wings, and the setae on the wings were actually digitized into an algorithm, “which translates the color pixels into 3D bristle patterns which correspond to the form of the garment design.”

“The digital designs are 3D printed in an innovative way, without any support material and directly on fabric,” the site continues. “The relation between the colourful rigid setae and the flexible fabric create enigmatic visual effects when the garment is in motion.”

To form the jacket, the bristles were 3D printed on denim. When the garment is worn, the setae move along with the person, which is a really interesting effect.

“Due to the movement and delicate color transformation, it expresses a true organic animal flow that comes to life,” Stratasys states.

Do I spy a zipper?

It is definitely a unique piece, and while lack of comfort and wearability is always one of my biggest critiques when it comes to 3D-printed fashion, the Setae Jacket absolutely looks wearable to me.

What do you think? Discuss this story and other 3D printing topics at 3DPrintBoard.com or share your thoughts in the comments below.

(Source: Dezeen / Image Credits: Ger Ger 2019)

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Anouk Wipprecht’s 3D-Printed Proximity Dresses Are Perfect for Social Distancing

If you don’t remember the stunning and technical work from Anouk Wipprecht—the Dutch fashion design working on “rethinking fashion in the age of digitalization” by combining engineering, fashion, robotics, science, and interaction/user experience in an emerging field known as FashionTech—let me refresh your memory. Noting that fashion lacks microcontrollers—something I never would have thought about—Wipprecht is an amazingly unique designer, who wants her clothing to, according to her website, “facilitate and augment the interactions we have with ourselves and our surroundings.”

“In a future where electronics are predicted to be embedded in everyday objects, – what kind of clothes will we wear? Will future techno fashion be purely aesthetic – or will it expand our awareness, acting like an intelligent second skin? Will we become super sensory, physically aware of data flows, communicating our internal states through the garments we wear? And, most pertinently perhaps, how will we socialize in our world when we are supervised by technology?”

Anouk Wipprecht’s Smoke Dress

Back in 2014, Wipprecht launched a campaign to create the first crowdsourced 3D-printed dress, and followed this up with her Synapse Dress, partnering with Materialise, Niccolo Casas, and Intel to create a wearable that leverages the wearer’s own electrical currents for a fully immersive experience. The designer later combined 3D printing with virtual reality to create a collection of dresses for Audi, and worked with model and musician Viktoria Modesta to fabricate 3D-printed prosthetics for musical performance.

Now, the high-tech futurist designer is back with two new 3D-printed wearables that could be very useful in this time of social distancing, due to the continuing COVID-19 crisis: the Proximity Dresses, Robotic Personal Space Defenders.

“Extending my research into proxemics and the body, I have fabricated two new dresses that create physical barriers when a person is detected in the immediate surroundings of the wearer,” Wipprecht said. “These twin dresses respond based on proximity and thermal sensors and indicates strangers within the intimate, personal, social and public space around the wearer.”

As with Wipprecht’s Smoke Dress and 3D-printed, robotic Spider Dress, which literally moves itself into an attack position if the embedded proximity biosensors detect that the wearer is uncomfortable, the design for these new dresses is based on Edward T. Hall’s Proxemics Theory. She explains that the theory defines “four spaces around the body,” each of which has its “own characteristic distances.”

Anouk Wipprecht’s 3D-Printed Spider Dress

“Whereas Hall had to measure the space between people using a wooden stick, I have been working since 2007 to translate these concepts into the digital domain, in order to measure the spaces between people up to a range of 25 feet,” she explained.

The Proximity Dresses use robotic, nylon 3D-printed hip mechanisms to extend when necessary. Additionally, they feature a transparent collar, 3D printed from clear resin, with some fancy sensors that offer noise-free distance readings.

Anouk Wipprecht’s Proximity Dress

These sensors use “high-output acoustic power combined with continuously variable gain, real-time background automatic calibration, real-time waveform signature analysis, and noise rejection algorithms. This holds true even in the presence of various acoustic or electrical noise sources, making it suitable for on-body use.”

By using the sensors, Wipprecht’s unique designs can invisibly trace their surroundings. Additionally, since the sensors don’t record any images or video, the dresses are not a threat to privacy, as nearby people remain anonymous.

“The Proximity Dress 2.0 is based on my 2012 prototype of this dress using hip mechanics create distance and a proximity sensor (ultrasonic rangefinder) for VW showcase during IAA, in Germany,” she concludes.

Check out the video below to see Wipprecht discuss her innovative, defensive Proximity Dress with Hyphen-Hub:

Discuss this story and other 3D printing topics at 3DPrintBoard.com or share your thoughts in the Facebook comments below.

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For a Personalized Look, Try a 3D Printed Pompillon Bow Tie

There’s something fantastically dapper about a bow tie, and a 3D printed version definitely takes this fashionable look the extra mile. Ties and bow ties, along with ascots and scarves, were born from the cravat, and can quickly elevate an outfit. But using 3D printing to make these fashion-forward accessories means that you can easily play with the shape and texture of the tie for a more unique aesthetic.

Pompillon, a clothing brand based in Italy and Germany, was founded in 2017, based on an idea from bow tie collector and aerospace engineer Luca Pompa, also the founder of the brand. That idea, of course, was to use 3D printing to make more creative, customizable bow ties. The name Pompillon is a playful merger between the surname Pompa and ‘papillon,’ which the website explains is “the French name of the beloved bow tie.”

“The vast assortment of colors of bow ties and combinable ribbons wants to encourage everyone’s imagination to the maximum, to personalize his style with a small accessory with attention to every detail,” the Pompillon Facebook page states. “Moreover, the various editions will allow collecting them in all its lines.”

3D printed Pompillon bow ties merge classic shapes with creativity, experimentation, and technology; add in attention to detail and a wide range of ribbons and tie colors, and the sky is the limit when it comes to personalizing your style. The Pompillon tie takes the typical bow tie silhouette, reduces it down to the most essential lines, and reinterprets the accessory with 3D printing.

The brand uses another Italian original to fabricate its bow ties – Sharebot 3D printers. Pompillon bow ties are 3D printed using a hexagon infill shape. Several of these six-sided polygons, all with sides of equal length, are joined together to make the bow tie and optimize “structural packing to the maximum.”

3D printed Pompillon bow ties are perfect for classic, everyday style, and for more formal occasions as well. The brand’s ideal clientele are those who appreciate a personalized and colorful look, as they enjoy dressing in a refined way, without being boring.

The bow ties are 3D printed out of plant-based, biodegradable PLA material from renewable resources, which keeps them lightweight. In the future, Pompillon will make special editions of its bow ties out of carbon fiber, marble powder, and even wood.

Pompillon has two versions of its bow tie – the filled Gentlemen and the open Rebel. When you combine the two, it makes the Unique model. The brand also offers a Gala Edition bow tie, which appear to only come in black and white for more sophisticated evenings, à la James Bond. These 3D printed bow ties are completely customizable with a variety of colors, clips, and ribbon, so you have a lot of choices to play around with in making your own unique accessory.

You can visit the brand’s online shop page to see what’s available. Two of the looks I really like are the Pompillon Dark Rebel, which is a red ribbon and black bow tie combination for just €24.90, and the Pompillon Unique White Snow & Blue Ocean, also at a price of €24.90. A 3D printed Gala Edition bow tie will set you back just €26.90, and several of the Pompillon Gentlemen ties, including my favorite in the limited edition Nature Green color, only cost €19.90.

They even look good on dogs!

“Have fun using them in bulk or combined with our other Pompillon. Make it unique and customizable for every look and mood,” the shop page says.

“Take a picture wearing it and post it on social media. If you send it to info@pompillon.it, it will be published and advertised on our social networks! plus you will have the chance to win a free one…be Lucky!”

Would you wear a 3D printed Pompillon bow tie? Let us know! Discuss this story and other 3D printing topics at 3DPrintBoard.com or share your thoughts in the Facebook comments below.

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