Olaf Diegel’s Latest 3D Printed Guitar, the Xenomorph

“Here’s lookin’ at you, kid.” “Hasta la vista, baby.” “Life is like a box of chocolates.” “Game over, man, game over!” These are all memorable lines from iconic films, though some people may not recognize the last one. This is a line from one of my absolute favorite movies, the 1986 Aliens, and was uttered by Private Hudson, played by Bill Paxton, after (most of) the group narrowly escapes with their lives from a close encounter with the film’s titular creatures.

(Image: IMDB)

Needless to say, I was pretty excited about multi-talented Swedish design engineer Olaf Diegel’s latest 3D printed guitar: the Xenomorph, which is what “the Company” dubbed the fully-grown alien life form in the movie.

“Yes, this was a fun little project that really got the creative juices flowing,” Diegel told me in an email.

Formerly a professor at Lund University in Sweden, Diegel is now in charge of the Creative Design and Additive Manufacturing Lab at the University of Auckland in New Zealand, as well as a professor of additive manufacturing and product development. He is also a DfAM expert and loves completing creative 3D printed projects, like a tiny desktop distillery, a Skeletor microphone, a saxophone, and of course, guitars.

Olaf Diegel (Image: ODD Guitars)

Diegel also founded ODD Guitars, which focuses on making, according to the website, “personalisable, customisable guitars that explore the limits of 3D printing technologies and applications.” ODD uses Selective Laser Sintering (SLS) technology to make its guitars, and finishes the instruments with top quality off-the-shelf hardware.

ODD makes all kinds of guitars – there’s a Steampunk one, the Spider, American Grafitti, Beatlemania, and now the Xenomorph. I told Diegel how much I love the Alien franchise, and asked if he could tell me a little more about the making of his Alien-themed guitar.

“It started way back, about 3 years ago, when Fredrik Thordendal, from Swedish extreme metal band Meshuggah, suggested the idea of designing a biomechanical inspired guitar. And I also had a friend in the robotics field who had a lot of biomechanical tattoos, so those got me started on the guitar,” Diegel told me. “But other projects got in the way and I forgot about it until around 3 months ago, and picked the project up again, but that’s when it got morphed somewhere between a biomechanical and an Alien themed guitar which, indeed, were awesome movies…”

Diegel used mostly SOLIDWORKS, with “a bit of help from Meshmixer,” to sculpt some of the guitar’s more organic parts. He got some of the “rough details and proportions” for these parts from different Thingiverse models.

In response to a question from one of his LinkedIn followers, he said, “I did a very rough crude shape of the head and teeth, mainly trying to get the head carapace right in Solidworks and exported that as an STL, and then had to modify and massage the STL a whole heap in Meshmixer to make it look like the Alien.”

Then, he put it all together in Materialise Magics so he could merge all of the individual STL files into a single file. The body of the Xenomorph guitar was 3D printed in white nylon by i.materialise in Belgium, and its neck is a high-quality Warmoth maple neck, with a rosewood Fretboard, and a machined maple inner core that joins it to the bridge. The hardware includes Seymour Duncan hot-rodded humbuckers, a Schaller bridge and guitar strap locks, and Gotoh tuners, all in black for a good Alien vibe.

Diegel received the guitar back from Belgium right before Christmas, so he took advantage of the holidays to begin priming, sanding, and painting it.

“When I got to the colour, I started it off with ‘Hammerite’ paint, to give it almost the ‘worn’ grey metallic look of the spaceships in the Alien movies. But I then thought it needed a bit more colour to highlight the Alien bits, so took it to Ron Van Dam, the NZ airbrush artist who does the ‘fancy’ paint jobs on most of my guitars. He did an awesome job at giving it just the touch of colour it needed, as well as the glistening clearcoat that mimics the sliminess of the Alien Xenomorph,” Diegel told me.

He’s tried it out, and the 3D printed Xenomorph guitar “plays and sounds awesome.”

“This is guitar number 80, and I have one of each design in my collection, so have sold somewhere around 66 of them, so this is also makes a nice example of using 3D printing for low-volume high-value production,” Diegel said.

Other LinkedIn comments on his original post provide Diegel with some ideas for his next guitar. Harry Potter was one option, but I agree with the second one – a 3D printed Predator guitar, so the two can battle it out.

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[Images: Olaf Diegel, ODD Guitars, unless otherwise noted]

The post Olaf Diegel’s Latest 3D Printed Guitar, the Xenomorph appeared first on 3DPrint.com | The Voice of 3D Printing / Additive Manufacturing.

Materialise drives serial additive manufacturing with Magic 24 and new Build Processors

Belgian software and 3D printing service provider Materialise has introduced new features to Materialise Magics 24, as well as next-generation Build Processors designed to drive serial additive manufacturing. As the latest version of the company’s software, Magics 24 includes Support Transfer, Support Transparency and faster nesting options which reduce the build preparation process for users in […]

Materialise launches Magics 23 for metal 3D printing optimization

Award winning 3D software and 3D printing service provider Materialise has unveiled the latest version of its data and build preparation software, Magics 23, to increase productivity and efficiency in metal additive manufacturing. “With the introduction of Magics 23, we offer integrated automation features for metal 3D printing, including simulation and automatic support generation”, said Stefaan Motte, […]

3D Printing News Briefs: October 20, 2018

We’re starting with some information about a couple of upcoming shows in today’s 3D Printing News Briefs, followed by some business and aerospace news. Sinterit is bringing its newly launched material to formnext, while Materialise has announced what products it will be presenting. Registration is now open for AMUG’s 2019 Education and Training Conference. Moving on, Sciaky sold its EBAM and EB Welding System to an aerospace parts manufacturer, while final assembly has been planned for the Airbus Racer, which features a 3D printed conformal heat exchanger. The Idaho Virtualization Lab is a leader when it comes to 3D printing dinosaurs, and the recently released movie First Man used 3D printed models during filming.

Sinterit Launches New PA11 Powder

Military glass case 3D printed with PA11 Onyx

Desktop SLS 3D printing company Sinterit has launched a new material – PA11 Onyx – which it will be bringing to formnext next month, along with its Lisa and Lisa 2 Pro 3D printers. According to Sinterit, this is first powder that’s ready for use in desktop SLS 3D printers, and it delivers excellent thermal, chemical, and abrasive resistance, along with better flexibility and impact resistance. PA11 Onyx is a high performance, lightweight, polyamide-11 bioplastic produced from plant-based renewable resources. In addition, the material also has high elongation at break, which means that durable finished products, like a military glass case and custom casings, can be opened and closed thousands of times without getting damaged.

“Our clients use a lot of electronic devices, like Raspberry Pi, that need a proper, individually made housing that can endure in unfriendly conditions. They are looking for durable materials but also require some elasticity and high-temperature resistance,” said Sinterit Co-Founder Konrad Glowacki. “PA11 Onyx delivers that.”

Come visit Sinterit at booth G41 in Hall 3.1 at formnext, November 13-16, to see its 3D printers and newly launched powders, which also include Flexa Black and Flexa Grey TPU materials.

Materialise Announces formnext Product Introductions

Materialise Magics 23

Speaking of formnext, 3D printing leader Materialise will also be attending the event in Frankfurt, and has just revealed what new product introductions it will be displaying at its booth C48 in Hall 3. Some of the highlights include new plastic and metal materials, like Inconel, Polypropylene, and Taurus, automotive applications, and the Materialise Magics 3D Print Suite; this last includes a new Simulation Module, the E-Stage for Metal 1.1 automatic support structure generation upgrade, and Magics 23, the latest software release.

Additionally, there will also be presentations from Materialise partners and the company’s own experts, like Lieve Boeykens, the Market Innovation Manager for Materialise Software. Boeykens will be presenting on the TCT Stage about “Reducing Costs and Speeding Up the Validation of AM Parts” on November 15 at 4 pm. Visit the Materialise formnext site for updates.

AMUG Conference Registration Open

The Additive Manufacturing Users Group (AMUG) just announced that online registration is now open for its 2019 Education & Training Conference, which is now in its 31st year and will be held in Chicago from March 31-April 4. The conference is open to owners and operators of industrial 3D printing technologies for professional purposes, and welcomes designers, educators, engineers, plant managers, supervisors, technicians, and more to share application developments, best practices, and challenges in 3D printing. The program has been adjusted to include more hands-on experiences and training, and will include workshops, technical sessions, and even a new Training Lab. There will also be networking receptions, catered meals, the two-night AMUGexpo, a Technical Competition, and the fifth annual Innovators Showcase, featuring special guest Professor Gideon Levy, consultant for Technology Turn Around.

“As the AM community evolves, so will AMUG,” said Paul Bates, the President of AMUG. “We are excited to present the new program with the goal of continuing to act on our mission of educating and advancing the uses and applications of additive manufacturing technologies.”

Sciaky Sells EBAM and EB Welding System to Asian Aerospace Parts Manufacturer

VX-110 EBAM System

Metal 3D printing solutions provider Sciaky, Inc. has announced that an unnamed but prominent aerospace parts manufacturer in Southeast Asia has purchased its dual-purpose hybrid Electron Beam Additive Manufacturing (EBAM) and EB Welding System. The machine will be customized with special controls that allow it to quickly and easily switch from 3D printing to welding. The system will be used by the manufacturer, remaining anonymous for competitive purposes, to 3D print metal structures and weld dissimilar materials and refractory alloys for said structures, as well as for other aerospace parts. Delivery is scheduled for the second quarter of 2019.

“Sciaky is excited to work with this innovative company. This strategic vision will allow this manufacturer to reduce operating costs by combining two industry-leading technologies into a single turnkey solution,” said Scott Phillips, President and CEO of Sciaky, Inc. “No other metal 3D printing supplier can offer this kind of game-changing capability.”

Airbus Plans Final Assembly for Racer

Scale model of the Airbus Racer on display at Helitech International 2018. The manufacturer is aiming for a first flight of the demonstrator in 2020. [Image: Thierry Dubois]

Together with partners of its Racer demonstration program, Airbus Helicopters explained that it definitely expects to meet performance targets, and complete the first flight of the compound helicopter on time in 2020. The 7-8 metric ton aircraft, in addition to a targeted cruise speed of 220 knots and 25% lower costs per nautical mile compared to conventional helicopters, will also feature several advanced components, including a three-meter long lateral drive shaft. Avio Aero was called in to 3D print a round, conformal heat exchanger for each later gear box, which will help achieve reduced drag.

The preliminary design review was passed last July, with final assembly targeted to begin in the fourth quarter of 2019. The flight-test program will likely be 200 flight hours, with the second part focusing on demonstrating that the Racer will be able to handle missions like search-and-rescue and emergency medical services. The program itself is part of the EU’s Clean Sky 2 joint technology initiative to help advance aviation’s environmental performance.

Idaho Virtualization Lab is 3D Printed Dinosaur Leader

The Idaho Virtualization Laboratory (IVL), a research unit housed in the Idaho Museum of Natural History on the Idaho State University campus, has long been a leader in using 3D printing to digitize and replicate fossils and skeletons. Museum director Leif Tapanila said that IVL’s 3D printing program has been ongoing for the last 15 years, and while other labs in the country are more driven by research, the IVL is operated a little more uniquely – it’s possibly the only program in the US that goes to such great extent to 3D print fossils.

Jesse Pruitt, lab manager of the Idaho Virtualization Lab, said, “Everybody does a little bit of this and a little bit of that, but no one really does [everything we offer].

“We do our own internal research, we digitize our collections and we also do other people’s research as well.

“It’s not something you see at a smaller university. For this to exist at the level that it exists here is pretty remarkable in my mind.”

The IVL is also one of the only programs to have a large online database of the 3D models it creates, and works to spread knowledge about its 3D printing processes to students and researchers.

3D Printed Models for First Man Movie

Lunar module miniature [Image: Universal Pictures]

While many movies swear by CGI to create special effects, there are some directors and production crews who still prefer to use old school miniatures and models. But old school meets new when 3D printing is used to make these models for practical effects. Oscar-winning director Damien Chazelle used some 3D printed miniature model rockets for his new movie First Man, which was just released a week ago and is all about Neil Armstrong and his legendary first walk on the moon. The movie’s miniature effects supervisor Ian Hunter, who won an Oscar for Visual Effects for Interstellar, was in charge of creating and filming the models, which included a one-thirtieth scale miniature for the giant Saturn V rocket and one-sixth scale miniatures of the Command/Service Module and Lunar Excursion Module.

“We had banks of 3D printers running day and night, running off pieces. We also used a lot of laser-cut pieces,” Hunter said about the Saturn V rocket miniature. “The tube-like shape of the rocket came from PVC piping, with the gantry made of acrylic tubing, along with many 3D printed and laser cut parts.”

The 3D printed model of the Saturn V rocket even made it into one of the trailers for the film, and the film itself.

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Materialise Introduces New Simulation Module for Metal 3D Printing at TCT

The TCT Show in Birmingham, England draws to a close today, but it’s been a packed few days with lots of new product announcements and presentations. One of those announcements came from Materialise, which introduced its new simulation software for metal 3D printing. Simulation software allows manufacturers to run through a build before running it for real, identifying trouble spots and reducing the risk of a failed print. On average, 15 percent of metal 3D prints fail, which can get extremely costly. Simulation creates a virtual prototype so that the first print can be the final print.

Simulation often requires expert engineers who work closely with manufacturers and designers, but Materialise’s simulation software requires no expert knowledge. It’s easy to use and accessible to anyone. Rather than needing engineers to give input about things like optimal part orientation and support structure design, the software offers that input, and users can apply the results directly to the support generation and orientation tools in a Materialise Magics environment, with which the simulation software works closely – it’s available, in fact, as a Magics module.

The software can be used on a standard workstation without the need for high-end processing power, and can be used in combination with other computer-aided engineering (CAE) solutions for highly certified metal production. The module also includes an integrated calibration feature which guides users to the correct simulation settings for their metal 3D printer.

“As more companies adopt 3D Printing as an alternative manufacturing technology, service bureaus are operating in a more cost-competitive environment than ever. As a result, they are looking for ways to scale their operations, increase productivity and reduce overall costs,” said Stefaan Motte, Vice President and General Manager of the Materialise software division. “Software, and especially simulation software, will help drive down the primary cost. Our software suite will enable greater access to simulation capabilities and help increase productivity and efficiency.”

The Materialise 3D printing simulation module is based on an OEM version of the Simufact Additive Solver, a powerful, scalable software tool for the simulation of metal 3D printing processes. The module combines the simulation expertise of Simufact with the familiar environment of Materialise’s data and build preparation software. The software is available immediately; Materialise also plans to release its Magics 23 software by the end of this year.

For companies that produce a large number of metal 3D printed parts, such as service bureaus, simulation is an invaluable tool. Any mistakes can be made in a safe environment, costing no money and wasting no time – and in metal 3D printing, errors are likely to happen, so simulation provides a way for those errors to be seen and addressed before the 3D printer is ever fired up. Simulation can be intimidating and complex, however, with multiple factors to address, which is why the expertise of experienced engineers is often required. Materialise’s new software takes away the intimidation factor and allows anyone to take advantage of the benefits of simulation, saving time, money and immense amounts of frustration.

Discuss this and other 3D printing topics at 3DPrintBoard.com or share your thoughts below. 

 

3D Printing Makes it Rain in Touring Theatrical Production

In Stijn Devillé’s Gesprek met de Regen, which translates to “Conversation with the Rain,” a couple grieves the loss of their daughter during the monsoon season in Singapore. The play’s setting required a lot of rain, which is a challenge in a theatre, but the theatre company Het Nieuwstedelijk worked closely with KU Leuven and Materialise to not only create rain, but to do it in an extremely artistic way.

KU Leuven student Arne Broeders designed the rain machine for his Master’s thesis in Industrial Engineering: Electronics and ICT. 8.5 meters long and spanning the entire length of the stage, the machine not only creates indoor rainfall but also creates images, patterns and words in the water – somewhat similarly to a Spanish art installation created a couple of years ago. Broeders developed the software program that would allow the images to appear, along with designing and building the machine itself.

The machine needed to be constructed in a way that would allow it to be lightweight and easy to move between venues. Techniques like CNC milling would have created a machine that was much too heavy to be hung up in a theatre, as well as too expensive. So Broeders turned to 3D printing, which allowed him to integrate the internal channels right into the rain machine’s design. Materialise advised the designer on the best method of 3D printing for the project, which turned out to be Selective Laser Sintering (SLS), thanks to its ability to 3D print complex designs at low cost.

Materialise’s Design and Engineering team also helped Broeders alter the design to create a more open structure, reducing material costs and allowing for more thorough removal of unused powder. The file was then prepared with Materialise Magics software.

“After a few test prints on the campus, we realized we had to move towards larger entities which were completely sealed, which wasn’t possible with FDM,” said Broeders. “That’s how we ended up with Materialise, the only company around Leuven capable of printing plastic on an industrial scale. They advised us about using the Laser Sintering technique and the results were amazing; the entire structure was watertight and our valves were easily able to operate the nozzles.”

Actors Tom Van Bauwel and Sara Vertongen

The final product was employed to impressive effect, releasing rain down onto the stage and revealing brightly lit words and images rendered in water. In a way, the rain machine is itself a printer, releasing water in pre-programmed shapes to form fleeting but memorable works of art. It likely would not have been feasible to create such a machine without 3D printing, which allowed it to be lightweight, inexpensive, and built in the complex geometry that was required. Broeders’ design won the Leuven MindGate Crossover Contest and will be touring with the play across Europe, showing audiences another example of how 3D printing intersects with art. In addition to seeing a moving story, audiences will be treated to the best of technology.

Gesprek met de Regen premiered in Genk, Belgium on May 30th and will be touring all over Europe.

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[Source: Materialise/Images: Katrijn Van Giel]