Peckish this weekend? Perhaps Matthew Petroff’s recent creation is to your liking?
Three years ago, I entered an Ashley Book of Knots Cake into the Johns Hopkins University Sheridan Libraries’ third annual Edible Book Festival. For this year’s contest, I figured I could apply my 3D-printed Hilbert curve microwave absorber research to craft a cake for Hans Sagan’s Space-Filling Curves book on the eponymous topic. Thus began an endeavor involving thermoplastic, silicone, and sugar.
Next comes a dizzying amount of work with 3D printing, reverse mold making and the like:
While I had hoped that the two-part plastic mold would allow the silicone mold to be easily removed once it had cured, this was an incredibly naive notion. After all attempts to carefully disassemble the plastic mold and remove the cured silicone failed, I ended up smashing the plastic mold to bits in order to free the silicone mold.
Read the whole story on how to make the cake and Matthew’s success on the blog here.
We’re starting off today’s 3D Printing News Briefs with a product launch announcement – 3YOURMIND launched the full version of its Agile MES software software this week at AMUG 2019. Moving on, Sintratec will present its latest SLS 3D printer at RAPID + TCT next month in Detroit, Tiamet3D has joined Ultimaker’s material alliance program, and Sciaky entered into an agreement with KTM Consultants. Xometry just announced some important certifications, and nScrypt is 3D printing titanium parts. Moving on to the world of art and theatre, the Zurich Opera House is 3D printing props, and artist Andrea Salvatori worked with WASP to create a 3D printed art collection.
3YOURMIND Launched Agile Manufacturing Execution System (MES) Software
After spending five years providing order management systems to scale for some of the industry’s AM leaders, 3YOURMIND has finally moved its software solutions to a production environment with the launch of its Agile Manufacturing Execution System (MES) earlier this week at AMUG 2019. The software uses smart part prioritization, rapid scheduling, order tracking, and custom AM workflow creation to improve machine utilization and make production more efficient, and an Early Access Program (EAP) allowed the company to receive direct feedback on its Agile MES software from representatives at companies like EOS and Voestalpine. The next step will be working to finalize machine connectivity.
“For Agile Manufacturing, the Agile MES will need to both GET and PUSH data from all major AM machines and post-processing systems. We are already integrating the data from several vendors into our software and expect to support all major machines,” explained 3YOURMIND’s CEO Stephan Kühr. “Receiving and processing machine data allows us to provide the documentation that is needed for quality assurance and to increase the repeatability of additive manufacturing. Pushing data directly to machines will be the key to automating production.”
Sintratec Showcasing New SLS 3D Printer at RAPID + TCT
A few months ago, Swiss SLS 3D printer manufacturer Sintratec introduced its scalable, modular Sintratec S2. Now, the company will be presenting the printer in the US for the first time next month at RAPID + TCT in Detroit, which will also be Sintratec’s first time attending the massive event. What makes the Sintratec S2 stand out is its closed-loop workflow, as the complete system covers every process with its three modules: the Laser Sintering Station (LSS), the Material Core Unit (MCU), and the Material Handling Station (MHS). The 3D printer offers quick material changes, a 4K camera for print monitoring, improved ergonomics, and effective heat distribution through its cylindrical printing area and ring lamps.
“The Sintratec S2 will boost the design of applications and gives the user the opportunity to set foot in small series production as well. And that for an unusually attractive price-performance ratio,” said Sintratec CEO Dominik Solenicki.
“With the Sintratec S2 solution we will be opening new opportunities for companies of any size.”
The price for the Sintratec S2 starts at $39,900, and you can see it for yourself at Sintratec’s booth 1753 at RAPID + TCT from May 20-23.
Tiamet 3D Joins Ultimaker’s Material Alliance Program
Last year, Dutch 3D printing specialist Tiamet 3D, founded in late 2014, worked with Finland-based Carbodeon to develop the first nanodiamond-enhanced 3D printing filaments, which went on the market in September. Now the company has joined Ultimaker as a partner in its Material Alliance Program. Together, the two will offer end-users simple one click downloads of Tiamet’s ULTRA Diamond material profile, which is now available on Ultimaker’s Cura software. This collaboration is formally backed by Tiamet’s manufacturing partner Mitsubishi Chemical Performance Polymers (MCPP Netherlands).
Reid Larson, the Director and Co-Founder of Tiamet 3D, told us about some of the highlighted specs of its ULTRA Diamond material, including no additional nozzle wear, 6300 mpa stiffness, low moisture absorption and friction, improved thermal conductivity, and twice “the temperature resistance of normal PLA, Annealed goes to 125C HDT.” You can purchase one kg of ULTRA Diamond filament for €59.
Sciaky Increasing Sales Efforts Through New Agreement
In an effort to increase the sales efforts of its Electron Beam Additive Manufacturing (EBAM) solutions in Australia, the Middle East, and New Zealand, Sciaky, Inc. has entered into an agreement with KTM Consultants, founded by metallurgist Trent Mackenzie in 2015. In terms of sheer work envelope, Sciaky’s massive EBAM systems are the industry’s most widely scalable metal 3D printing solution, able to produce parts ranging from 8 inches to 19 feet at gross deposition rates of up to 25 lbs of metal an hour. Additionally, its Interlayer Real-time Imaging and Sensing System (IRISS) is the metal 3D printing market’s only real-time adaptive control system capable of sensing and digitally self-adjusting its deposition.
“I was immediately drawn to Sciaky’s EBAM technology because of its unique and robust capabilities. Industrial manufacturers of large metal parts need to explore the significant advantages that technologies like EBAM offer. It is truly a game-changer,” said Mackenzie.
Xometry Announces New Industry Certifications
Digital manufacturing marketplace Xometry announced that it has just received ISO 9001:2015 and AS9100D certifications – some of the most rigorous, widely-recognized quality management designations in the industry. ISO 9001 helps organizations meet the needs and expectations of their customers in terms of quality management, while AS9100 meets customer demands in the exacting aerospace and defense industries. The company went through a major audit as part of the process, and its achievement definitely reflects how committed Xometry is to providing quality.
“We are thrilled to receive this designation. Our team members have a passion for providing great customer service while following the disciplines that give our customers peace of mind regarding on-time delivery, quality, and continuous improvement. It is yet another step towards achieving industry “best in class” status and being able to meet the expanded needs of our customers,” stated Xometry COO Peter Goguen.
nScrypt Develops Proprietary Method for 3D Printing Titanium
nScrypt 3D printed titanium gear, dogbone, and block
Florida manufacturer nScrypt, which develops high-precision Micro-Dispensing and Direct Digital Manufacturing equipment and solutions, is now focusing on repeatable 3D printing of metals for the medical, defense, and aerospace industries. The company has created a proprietary method for 3D printing titanium parts, which tests have shown display densities comparable to wrought parts. This method could easily work with other metals as well, such as copper, Inconel, and stainless steel, and nScrypt’s Factory in a Tool (FiT) systems can finish or polish areas with high tolerance features using its integrated precision nMill milling head. nScrypt’s Brandon Dickerson told us that the company expects to release more details on this later in 2019.
“The parts were printed with our SmartPump Micro-Dispensing tool head, which runs on any of our systems,” Dickerson told 3DPrint.com. “The parts shown in the photos were printed on our DDM (Direct Digital Manufacturing) system, also known as our Factory in a Tool (FiT) system, which can run 5 tool heads at the same time, including our Micro-Dispensing, Material Extrusion, micro-milling, and pick-and-place tool heads. The parts were sintered after the build and the current densities are in the high 90% range. We expect our system to appeal to customers who want to do Direct Digital Manufacturing and need strong metal parts, but cannot build them with a powder bed system (for example, if the geometry would trap powder inside) or prefer not to use a powder bed system (for example, if they want a cleaner system).”
Zurich Opera House 3D Printing Props with German RepRap
Finished tutu for “The Nutcracker”, which was produced with the help of the x400 3D printer
Switzerland’s largest cultural institution, the Zurich Opera House, puts on over 300 performances a year, but the behind-the-scenes magic happens in the studios and workshops, where the props and costumes are made. The opera house uses the x400 3D printer from German RepRap, with assistance from Swiss reseller KVT- Fastening, to support its creative work by fabricating props and molds. This affords the institution more creativity and flexibility, as they can design objects to their exacting needs in 3D modeling programs, which also helps save on time and money. The opera house currently uses PLA, which is easy to handle, offers a variety of colors, and is flame retardant – very important in a theatrical setting.
“Often, the wishes and ideas of costume and stage designers are very diverse and sometimes extraordinary. It often happens that props are not available in the way designers have it in their minds. This is where the 3D printer is perfect for,” said Andreas Gatzka, director of theater sculpture at the Zurich Opera House.
“There are a lot of great benefits. Special wishes of stage and costume designers can be realized quickly as well as a short-term change of the objects, for example larger, smaller, longer, shorter, or whatever is needed.”
3D Printed Art Collection
Artist Andrea Salvatori 3D printed the eye-catching pieces for his new collection, titled Ikebana Rock’n’Roll, using the Delta WASP 40100 Clay 3D printer – designed by WASP to be used by ceramic and clay artists. The collection just opened on stage at THE POOL NYC in Milan last week, and will be available to view until May 31st. With these 3D printed vases, Salvatori wanted to use “a miscellany of ceramic insertions” to mess with the high quality shapes 3D printing can achieve by adding asymmetry.
“The process of depositing the material and setting the spheres is a central theme in the Ikebana Rock’n’Roll collection, to the point of convincing Salvatori to name the works “Composition 40100”, as if they originated from a musical dialogue of the most varied tones. The artist upsets the algorithm reiterated slavishly by the machine with imperfect musical accents, the result from time to time of spontaneous actions and reasoned processes,” WASP wrote in a blog post.
“The ikebanes, proposed by Andrea Salvatori in the exhibition, transcend the experimental limits of an abstract investigation, representing a concrete territory in which 3D printing and ceramic art co-exist synergistically. The Master challenges the confrontation with the public, becoming also in this sector, precursor of a new genre in which WASP feels itself fully represented.”
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While we have become well familiarized with the concept that ‘there is an app for that,’ today another common statement in tech-savvy circles is ‘well, you know you could 3D print that!’ The hope is that everyone is using their powers for good. As we find out more about how Imgur user darksharkused 3D printing to beat the latest fingerprint scanner app, however, it does cause us to wonder what other rules are being broken—or what other dark ideas are currently being masterminded with the use of 3D printing.
darkshark set out to unsettle us all by showing just how easy it is to get into someone’s phone (here, the new Samsung Galaxy S10)—which can be like having direct access to their wallet and many facets of their private lives. We have to take a moment to process the fact that one can even 3D print their fingertip scan to begin with, but beyond that, let it sink it in that here, the fabricated fingertip in many cases worked better than the real thing.
The process was quite simple: scan your fingerprint, 3D print it, and see what happens. darkshark began by putting by fingerprints on the side of a wineglass and then took a picture of it:
“I used my smartphone to take this picture, but it’s certainly not out of the question to use a long focal length DSLR camera to snag a fingerprint image from across a room…or further.”
darkshark then processed the image in PhotoShop and increased the contrast, creating an alpha mask. That was exported into 3DS Max, where a geometry displacement produced a perfect, raised 3D model of the fingerprint. It then took darkshark less than 15 minutes to 3D print the model on an AnyCubic Photon LCD resin printer.
“It took me 3 reprints trying to get the right ridge height (and I forgot to mirror the fingerprint on the first one) but yeah, 3rd time was the charm,” said darkshark. “The 3D print will unlock my phone…in some cases just as well as my actual finger does.”
This brings a whole new element not only to the issue of theft, but also regarding lifting fingerprints and then using them for identification when needed—and just as so many of us (naively, it would now seem) had been trusting the fingerprint scan as a secure way to protect access.
“This brings up a lot of ethics questions and concerns,” said darkshark. “There’s nothing stopping me from stealing your fingerprints without you ever knowing, then printing gloves with your fingerprints built into them and going and committing a crime.”
“If I steal someone’s phone, their fingerprints are already on it. I can do this entire process in less than three minutes and remotely start the 3D print so that it’s done by the time I get to it. Most banking apps only require fingerprint authentication so I could have all of your info and spend your money in less than 15 minutes if your phone is secured by fingerprint alone.”
3D printing and security have been topics of concern over the last few years, along with other related issues such as the manufacturing of weapons like guns. Criminals have attempted all sorts of heists with 3D printers in their bags of tools, but this technology is also being used to foil other nefarious users with devices meant to detect credit card skimmers, function as evidence in court, and even helping with murder cases.
What do you think of this news? Let us know your thoughts! Join the discussion of this and other 3D printing topics at 3DPrintBoard.com.
In 2013, a company called Biogelx was spun out from the University of Strathclyde in Glasgow, Scotland for the purposes of developing tunable, synthetic materials for use in 3D cell cultures and 3D bioprinting applications. Early on, the company worked on creating 3D cell culture scaffolds, which were in the form of synthetic peptide hydrogels so as to support cell growth by behaving as an extracellular matrix environment.
Bioinks are loaded up with cells in order to 3D print biological structures. Then, once the structure is printed, secondary crosslinking mechanisms help retain the shape’s structural fidelity. These bioprinting materials can facilitate cell adhesion, differentiation, and proliferation, as well as exhibit all the characteristics of an extracellular matrix environment. This is what makes it possible to create patient-specific human tissues in a laboratory setting, which is why good bioinks are very important.
Biogelx’s hydrogel bioinks have unique physical and chemical tunability, which means they can successfully replicate specific tissue characteristics so cells can engage with, and experience, a 3D environment that’s pretty close to real life. Early on, the industry recognized how beneficial Biogelx’s hydrogel bioinks could be for researchers in the industry, as the materials claim to offer reproducibility, great printability, an easy crosslinking method, and viscosity control in one package. The company’s bioinks can provide a base modular material where the cells’ chemical and mechanical properties are able to be adapted.
That’s why Biogelx is proud to launch its first product range of novel, synthetic bioinks: Biogelx-INKS. As the company says on its website, the future is synthetic.
“We are excited to announce the commercial availability of Biogelx-INKs,” said Biogelx CEO, Mitch Scanlan. “Providing versatility and improving research outcomes are the key focuses for our product portfolio. We look forward to supporting researchers in their mission to develop realistic 3D disease modules, tissues, and organs for future pharmaceutical and medical applications.”
Developed with 3D printability at the forefront, Biogelx-INKs have been optimized for use in extrusion 3D printers, and they’re also versatile enough to work in 3D printing applications other than just bioprinting. The bioinks maintain the company’s core self-assembling peptide technology, and just like Biogelx’s hydrogel products, these new Biogelx-INKs form a nanofibrous network in order to mimic an extracellular matrix environment. This supports cell growth, proliferation, and signaling, but in addition, Biogelx-INKs were developed in such a way as to, as the company put it, “ensure the rheological properties are suitable for bioprinting applications.”
According to the Biogelx website, its new bioinks can be printed with good 3D fidelity, and don’t require any support, sacrificial, or curing inks. Biogelx-INKs also offer important shear-thinning behavior, which helps with cell viability, and controllable gelation, which is triggered by adding cell culture media and does not require the addition of reactive crosslinking reagents, UV curing, adjustments in pH, or extreme temperature. This feature also makes the material compatible with many different 3D bioprinters.
The company’s technology is based on a system of two peptides – a hydrophobic ‘gelator’ peptide (Fmoc-diphenylalanine) and a hydrophilic ‘surfactant’ (Fmoc-serine) – which self-assemble to form fibers in aqueous environments. These fibers have surface hydrophilic functionality, which is appropriate for cell adhesion.
Additional features of Biogelx-INKs include:
Reproducible – these bioinks are totally synthetic and manufactured under strict quality control, which ensures batch-to-batch reproducibility and consistent prints.
Tuneable – it’s possible to tailor the biomimetic functionality of the bioinks to specific cell types.
Biocompatibility – composed of amino-acids, Biogelx-INKs are >95% water and produce a nanoscale structure which mimics the natural extracellular matrix environment.
Material Biomimicry – this product range includes formulations that incorporate several biomimetic peptide sequences, which increases its biocompatibility with various cell types.
According to the Bioglex website, “With our core technology, our bioinks can be tailored to specific applications, meaning they have huge potential in a range of fields including cell research, toxicology, drug screening, and regenerative medicine.”
If you’re interested in the company’s new range of Biogelx-INKs, you can order the product, in one of three sizes, for £280.
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Seattle-based 3D printing software company Dyndrite Corporation has found itself quite a few prominent investment partners. However, most interesting is Gradient Ventures, leading the series A round for $10 million. As a Google subsidiary, Gradient Ventures, focuses on funding AI-focused operations. With the funding, they aim to make software that can close the growing gap between […]
This week Sliced, the 3D Printing Industry news digest, covers a variety of developments from the 2019 Additive Manufacturing Users Group (AMUG) conference as well as the Hannover Messe trade show. Elsewhere, we see novel applications in 3D printed electronics, artworks, watches, pattern-less investment casting and more. AMUG 2019 releases AMUG 2019 has now come to a close. […]
The world of 3D printing is constantly evolving. Historically its primary use has been in engineering, but it is now poised to revolutionise the fashion industry, changing how we produce anything and everything wearable such as shoes, dresses and accessories. While 3D printing isn’t ubiquitous in high street stores just yet, the inclusion of it in recent runway shows is proving its worth for designers and its exciting potential in fashion.
The fashion industry has historically been slow to adopt the latest technology, but recent years have been characterised by a digital revolution. From e-commerce stores to IoT and wearables, the use of technology in fashion is widespread, and will only increase with time. Just as those emerging technologies have started to change the industry, 3D printing is poised to do the same.
Why 3D fashion?
3D printing is starting to broaden the traditional boundaries of design and allow designers to quickly turn some of their most testing design concepts into reality. It allows designers to create completely new designs that were simply too complex, challenging or time consuming using traditional techniques. Now that 3D printing is easily accessible, we’re starting to see more original 3D designs infiltrate the runway.
For example, Iris Van Herpen incorporated 3D printed ‘face jewellery’ into her catwalk look at the 2019 Paris Fashion Week. This original, customisable content is something that 3D printing allows to be easily designed and created not just only on a small scale, but also en-masse. This level of originality is unprecedented and is one that a designer would struggle to achieve without 3D printing technology, enabling Van Herpen to design the jewellery that was truly unique to the wearer and customised to fit their face perfectly.
“Cellchemy” facemask by Iris Van Herpen.
Van Herpen has also used 3D printing in a lot of her high-profile fashion pieces, to bring her couture visions to life. Her first 3D printed design featured in 2010 and since then she has taken the fashion world by storm with her bespoke, original designs. In 2017, Cara Delevingne wore a stunning bespoke 3D printed dress to the premier of Valerian and the city of a Thousand Planets. Continuing her star-studded client list, she also designed a dramatic 3D printed dress for Beyoncé in her music video ‘Mine’.
Fashion has also dominated the runway at New York Fashion Week on numerous occasions but notably in 2016. threeASFOUR and Travis Fitch worked harmoniously to produce two breakthrough, truly unique dresses, highlighting the originality that 3D printing can help a designer achieve. Following the walk, Gabi Asfour from threeASFOUR credited the functionality that 3D printing provided to enable them to design and make a new textile that didn’t already exist to work with all the desired features of the dress. Something that may not have been possible within the original boundaries of design.
3D printed Harmonograph Dress [Image: Matt Carasella]
3D printing in mass fashion
While 3D printing is helping high push the boundaries of design in end fashion, everyday garments are starting to be feel its influence. Consumers today are always looking for the latest technologies and design techniques in their clothes, and brands are beginning to respond.
The footwear giants, Adidas and Nike have both in recent years incorporated 3D printing into their trainers and demonstrated that 3D printing can offer consumers improved customisation and more sustainable products.
Eliud Kipchoge winning the 2018 London Marathon wearing 3D printed Nike trainers.
3D printing has firmly found its place in marathon running by being the 2018 winning shoe of runner Eliud Kipchoge. Following a disaster in 2017 where his shoes became wet and heavy, Nike turned to 3D printing to reduce the weight of his trainers and personalise them bespoke for his needs. This was not the first time Nike has used 3D printing to provide personalised trainers for elite long-distance runners, created differently to suit their specific needs. This level of personalisation is on a case-by-case basis, but Adidas has found a way of bringing 3D printing to the mass market.
Quick customisation whilst maintaining originality are two more huge opportunities for 3D printing. Garments can be created to perfectly fit the size of each individual body, opening the door for true personalisation. Adidas has implemented the use of customisation into their Futurecraft designs by making a 4D trainer with a 3D printed midsole, this allows a high level of customisation to reach the mass market easily.
As this is a relatively new field, the fashion industry as a whole needs to challenge what they already know and visualise a future with 3D printing in order to see its true value. The incorporation of 3D technology into these designs make them truly original and gives the consumer the high-quality item they desire.
Although the cost of the production may be initially higher, shipping, transport and packaging costs are drastically reduced as a customer can be sent the design and can then print the product themselves.
Education
3D Printing is the future of fashion, enabling enhanced originality to be implemented into all aspiring designer’s skillset. Education and technological advancements are making it cheaper, easier and more beneficial for designers to use 3D fashion in their designs and in turn, produce more quality fashion and make it accessible to all.
As a result, many fashion academies are incorporating 3D printing into their education programmes. Manchester Met University has integrated 3D printing into their education programmes and have successfully produced a 3D knitted structure that is high in both stretch and elasticity.By integrating 3D printing into their education programme, it can be at the forefront of a modern designer’s mind when they are working professionally.
While educating a new generation of designers on 3D printing will be a gradual process, it paves the way for this technology to become part of the mainstream and increase its uptake and use across the industry.
The future of 3D printing in fashion is one that is certainly bright and optimistic, with smaller, user-friendly 3D printers such as the da Vinci nanoavailable to all, the opportunity to learn about the technology isn’t limited to engineers or more technical professions. By allowing even the smallest fashion houses to try this technology, we’ll see more and more 3D printed fashion coming to our stores – and I look forward to seeing how it benefits us all.
As 3D printing arrived on the scene, surprising artists and designers with a certain level of self-sustainability in creation never experienced before, the hunger for more, more, more in terms of options became almost immediate—and mainly with a desire for more color. There have been forays into 3D printing with color and full-color 3D printers, but for the most part there has still been a wait while manufacturers have been busy developing a wide range of hardware, software, and alternative materials (in a basic array of monotones and colors) that can take on everything from construction to saving lives via tissue engineering. So far, color has generally taken a backseat while the important work was getting figured out.
We learned about the ColorPod though a few years ago, as a device for several RepRap Cartesian style 3D printer variants that allows for 3D printing in full color. In development by Aad van der Geest for years now, the device has evolved into a customized, streamlined workaround for having it all while 3D printing, and you can take matters further into your own resourceful hands by making your own parts for the DualBox add-on too—turning your FDM 3D printer into a full-color powder machine.
The bottom pulls itself up with threads that are wound around the axis of a geared stepper motor. (Photo: Hackaday)
Today, the versatile ColorPod works with most 3D printers, supports .stl and .obj 3D model files, and is accompanied by supporting software. Objects are 3D printed in full color as the unit dispenses colored droplets on powder in the DualBox add-on, comprised of two compact units: the feeder box, which moves up; and the model box, which moves down. Powder is dispersed from one box to the other in thin layers with a spinning roller, and cross sections are fabricated with ink and water on the powder.
Professional powder from gecko-3d.com is recommended by the developer for better accuracy in printing. 3D models can be printed up to 110 X 70 X 50 mm. For $499, you can buy the set to make your own DualBox, with components to include:
500 gr gecko 3d powder
1 HP45 cartridge filled with clear fluid
2 plexiglass box cutout set
1 plexiglass bridge part
2 geared stepper motor
4 bottom axis support
4 box fixing plate
10 nylon M3 screws 5mm
1 servo modified for continuous rotation
1 resistor 100k on connector
1 resistor 820E on connector
1 dyneema thread 1200 mm
1 screw terminal
1 geeetech sync cable
1 endswitch conversion cable
1 5V regulator with cable
1 rubber band
2 ball bearing with outside diameter 16mm
1 stainless steel tube 210X20X2 mm
1 supply cable male
1 supply cable female
1 fuse holder with 2A fuse
2 M3 threaded rod 80mm
1 M4 threaded rod 96mm
1 metal spring
2 M2 screw 20mm
2 M2 screw 12mm
4 M2 nut
4 M2 washer
Other parts must be 3D printed to complete the set.
Build the basic container using sticky tape. Numbers are engraved on the outside of the container. Later you can make the final unit with super glue. (Photo: vouwbad)
With the advent of 3D printing, users were thrilled with the capability to design a 3D object and then be able to produce it on their own too, whether in a home workshop, professional, or industrial setting. While choices for post-processing and finishing could include intricate painting and detailing, quickly, the ability to print in more complex ways evolved with multi-materials and multi-components, full-color printers by HP and Mcor, and more. Innovations such as the ColorPod give users even more options for producing spectacular prototypes, parts, and artistic works.
What do you think of this news? Let us know your thoughts! Join the discussion of this and other 3D printing topics at 3DPrintBoard.com.
Industrial 3D printer manufacturer voxeljet AG (NYSE:VJET) has reported its financial results for the fourth quarter and full year 2018. For the year ended December 31, 2018, headline revenue was reported at €26 million, up 12.2% on FY2017 which was €23.2 million. For Q4 2018, total revenue increased 40.4% to €8.6 million, from €6.1 million in Q4 2017. Accordingly, Q4 […]
Lincoln Electric Holdings, Inc. (NASDAQ: LECO), an American multinational manufacturer of welding products has confirmed its intent to launch a metal additive manufacturing service in mid-2019. On April 1, 2019, Lincoln Electric acquired Michigan-based tooling supplier Baker Industries, Inc. that provides polymer and metal additive manufacturing capabilities, alongside traditional machining and fabrication. Commenting on the acquisition […]
